Shekhar Kapur’s “Passage” (an A.R.Rahman musical in a way, the only moment there is no music behind is when a character says “the music has stopped”) opens with most unlikely sound for a film set in Venice - A Saarangi. Also in Shekhar Kapur’s “Elizabeth: The Golden Age”, Rahman used the same instrument for the track “Divinity theme”. So, we don’t know whether it really is Rahman’s choice or Shekhar Kapur’s. The melody that is played on Saarangi could have been easily replaced by a cello, while Saarangi is pitched higher, a cello if pitched lower playing the same melody would have yielded the same effect. With a Cello, it would have easily sounded European grounded in the soil where the story takes place.
We may also need to completely understand the intensity of emotions that are on display here – loss, separation, reconciliation - to understand why the loudness is. How big the loss is? How long they have been separated? What this reunion means to them? Only if all these questions are clearly answered and understood, one can understand the loudness of the emotion put on display with the Saarangi. Only a non-Indian who has never heard the sound of ‘Saarangi’ before can say what it did to him while listening to it with the visuals. So, while I am sure that it is great music as a stand-alone track, I am not sure if it is a great score. But I must admit that this piece is such an important narrative tool for Shekhar Kapur without which it wouldn’t have been possible for him to convey what he wanted to in a short time. With just the sound of Saarangi you get that there was something devastating that “happened in the future” of those 3 little girls merrily playing there on the streets.
The very sound of Saarangi has a feel of longingness in it which is much louder and instantly striking than that of a Cello. But adding a universal touch
