Saturday, February 28, 2009

Delhi-6 Movie Review

Well, 'Rang De Basanthi' was about embellishing the young rebels with spirit-of-patriotism that had a very colorful appeal. Yippee!! Rakeysh Mehra is back with a bang emblazoning Delhi fantastically. Trust us; it's an unforeseen 'Wall of Old Dilli' where nothing rules, but everyone is surmounted with humanity. Of course, the auteur unravels the beauty of not just the street corners, jelabi shops, but heart-binding relationships… An appealing relationship between various communities has been decorously depicted that draws us straight into streets of Chandni Chowk. Perhaps, it's not 'too-sweet-for-the-heart' moments as there are peculiarities of caste-communalism differences that get us through a chain of unexpected sequences.
Precisely, the film possesses the best attributes of getting ennobled as 'World Cinema'. Maybe, the plot is a bit clichéd to 'Swadesh' where an NRI makes his way to India getting adhered to scenario bounded with happiness and tribulations.
So if you are guessing what could be the common traits between 'Rang De Basanthi' and 'Delhi-6' here we have it for you in a platter. An enriching characterization with the finest narration is what you will witness. Rakeysh brings in a couple of metaphors that goes more relevant across the characters; 'Kaala Bandhar' and Stage Play of 'Ramayana'. Indeed, Rakeysh deserves special applause for these exceptional motifs…
When his Naani (Waheeda Rehman) loves to breathe her last not in New York, but in her hometown Chandni Chowk of Delhi, her grandson Roshan (Abhishek Bachchan) fulfills the wish. But sooner, he gets more glued to the new land of fun, frolic and happiness where everyone is blessed with a good heart and his friend. He finds elated amidst the kites, pigeons, sporting snookers with Uncle Ali (Rishi Kapoor) and tasting jelabis. On the pars, he is stuck with puzzling thoughts about witnessing untouchables, an arrogant police officer (Vijay Raaz), and his uncles (Om Puri, Pawan Malhotra) who've risen within their house. And finally, the sweet Bittu (Sonam Kapoor) caged in a circle of ancient-culture.
If you're a good analyst of films, there's something uniquely trenchant with Rakeysh. Unlike other flicks that have carried on with the First-Second half, the director has inherited the narration with 3-Act formulas. Something that isn't common, right? Yeah, 'Delhi-6' is yet another example to suggest the changing face of Bollywood.  Getting on with the metaphors of 'Kaala Bandhar' and 'Ramayana' stage plays, he tries pulling the realistic pictorials. When the throngs are bounded devotionally watching the mythological drama, politicians interrupt it. And again, watch the special performance of Lord Shiva's 'Rudra Thandava' for the politician.
It's all about – Even Gods get down for the sake of politicians in the present world. Years back, one incident had really shaken not just the Dilliwalas, but the entire Nation and it was the 'Monkey Man' terrorizing the streets. Blending it to the script, the idea has worked out well. The director's portrayal of the Hindu-Muslim communal conflict and the solution drawn out it is quite appealing.
The characterizations have been brilliantly designed. Rightly as Sonam suggested 'it is Delhi who's the protagonist', it's true and we feel it too.  There aren't too many locations, but patently the streets of Chandni Chowk have been decorously portrayed. Hats off to cinematographer Binod Pradhan for a spellbinding piece of work. You don't see Abhishek and Sonam alone presented with prominence, but everyone seems to have had a vital role to play. Be it Rishi Kapoor with his hidden love or the so-called untouchable Divya Dutta; they're top-notching with their performance. Abhishek Bachchan is up with his usual resplendence while Sonam seems to have matured up from her 'Saawariya' days.
The musical score by A.R. Rahman is 'wordlessly colossal', especially the number 'Masakali' is a rich fiesta offered to the audience. Don't miss his background score in the penultimate sequence where there's hunt for the 'Kaala Bandhar'.
Precisely, the screenplay is intricately beautiful that you don't feel like watching the film but taking a walk down 'Delhi-6'.
On the whole, 'Delhi-6' is an incredible flick in terms of all panoramas. The film is simply prodigious with flawlessness and a piece of work that takes Indian Cinema to the next level.
Verdict: The real taste of Delhi.
Rating : ***1/2


Courtesy: indiaglitz.com

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