Amitabh Bachchan is known to sign on unusual roles and the latest is that the superstar will play his son Abhishek's grandad in Rakeysh Mehra's forthcoming Dilli 6.
Mehra's semi-autobiographical film has Abhishek playing the lead and also stars Sonam Kapoor, who made her debut in Saawariya. He also roped in Amitabh to play a specially written cameo.
Confirming the news, Amitabh said: "I play Abhishek's grandfather in Dilli 6."
Interestingly, the film already has veteran actress Waheeda Rehman. And one of the Big B's incentives for stepping into the picture so late is to share screen space with his favourite actress.
Amitabh has earlier worked with Mehra in Aks. And with Dilli 6 almost complete, Mehra already has plans of casting Amitabh in his next film unusually titled Paanch Kaurav.
"It's too early to talk about Paanch Kaurav. But it's in the caper-adventure genre. And it would be my third film with the Big B. I couldn't get luckier. I've also done three films with Abhishek," revealed Mehra, whose last film was Rang De Basanti.
"I was supposed to do Abhishek's launch film Samjhauta Express and then we were to do Bhairavi (with all the three Bachchans including Jaya). We had gone so deep into the discussions that we both feel we've already worked in those two films together. So our comfort level in Dilli 6 is as high as it would be for any director-actor team that has done three films together," the director said.
Courtesy: sify.com
Showing posts with label Rang De Basanti. Show all posts
Showing posts with label Rang De Basanti. Show all posts
Thursday, July 31, 2008
Thursday, July 24, 2008
Aamir unplugged: The star on Imran and upcoming projects
Aamir Khan is going through the best phase, professionally. "No one can predict which way the pendulum will swing, before a film releases. But Jaane Tu…Ya Jaane Na has fared beyond my expectations. I only wish Chachajaan [the late Nasir Husain] was alive to share the happiness. He was very close to Imran," says Aamir in a heart-to-heart conversation.
With Imran's debut vehicle proving a major hit, is Aamir guiding his nephew how to go about in his career?
I would never do that. It's important to take your own decisions. You must learn to walk without crutches. Right from the start of my career, I took my own decisions. I made mistakes, but those were my mistakes. I think, I've learnt more from my failures than hits and I would advice Imran the same.
But a number of people feel that if one wants to sign Imran, it has to be via Aamir. True?
Yeah, that's what everyone feels. In fact, a number of people do call up, enquiring about Imran, but I tell them, Yeh lo number, Imran ko khud phone karo," he laughs.
You have incorporated a song that was deleted from the final version of Jaane Tu…Ya Jaane Na. Why?
It's my favourite number, but Mansoor, Abbas and I took a call jointly. We felt the song was only making the film lengthier. But since the results are out, the song has been added in its third week. Initially, we thought of retaining it for just one week. But looking at the feedback, we may stretch it to three weeks. However, let me add, the song will not be a part of the final cut in the DVD. It will be featured in the unseen portions.
What’s up next as Ghajini is almost complete and slated for release in November?
I will begin shooting for Rajkumar Hirani's film from August onwards. It's called 3 Idiots. I am looking forward to working with Madhavan and Sharman Joshi [the Rang De Basanti team]. Kareena is also doing the film.
The topic moves on to his next project. Has he thought of his next directorial venture?
Not yet! I haven't started looking for stories either. Earlier, I was busy with Ghajini, then the release of Jaane Tu…Ya Jaane Na took most of my time.
But the buzz is, Aamir intends casting Bachchan Sr in his next film.
I was at a loss of words when Mr Bachchan said that he would love to work in a film directed by me. He's my favourite actor. It would be a privilege to direct him, but like I said, I haven't zeroed in on a subject yet.
What about Delhi Belly? Reportedly, the film will be made in English and not Hindi.
That's true! We are targeting the global audience. I don't want it to be a bilingual. We tried that earlier with Mangal Pandey but it didn't work.
With Ranbir Kapoor not part of the project anymore, will Imran step in?
Ranbir couldn't do the film due to date hassles. As for Imran, let's see. We haven't taken a call yet.
Courtesy: sify.com
With Imran's debut vehicle proving a major hit, is Aamir guiding his nephew how to go about in his career?
I would never do that. It's important to take your own decisions. You must learn to walk without crutches. Right from the start of my career, I took my own decisions. I made mistakes, but those were my mistakes. I think, I've learnt more from my failures than hits and I would advice Imran the same.
But a number of people feel that if one wants to sign Imran, it has to be via Aamir. True?
Yeah, that's what everyone feels. In fact, a number of people do call up, enquiring about Imran, but I tell them, Yeh lo number, Imran ko khud phone karo," he laughs.
You have incorporated a song that was deleted from the final version of Jaane Tu…Ya Jaane Na. Why?
It's my favourite number, but Mansoor, Abbas and I took a call jointly. We felt the song was only making the film lengthier. But since the results are out, the song has been added in its third week. Initially, we thought of retaining it for just one week. But looking at the feedback, we may stretch it to three weeks. However, let me add, the song will not be a part of the final cut in the DVD. It will be featured in the unseen portions.
What’s up next as Ghajini is almost complete and slated for release in November?
I will begin shooting for Rajkumar Hirani's film from August onwards. It's called 3 Idiots. I am looking forward to working with Madhavan and Sharman Joshi [the Rang De Basanti team]. Kareena is also doing the film.
The topic moves on to his next project. Has he thought of his next directorial venture?
Not yet! I haven't started looking for stories either. Earlier, I was busy with Ghajini, then the release of Jaane Tu…Ya Jaane Na took most of my time.
But the buzz is, Aamir intends casting Bachchan Sr in his next film.
I was at a loss of words when Mr Bachchan said that he would love to work in a film directed by me. He's my favourite actor. It would be a privilege to direct him, but like I said, I haven't zeroed in on a subject yet.
What about Delhi Belly? Reportedly, the film will be made in English and not Hindi.
That's true! We are targeting the global audience. I don't want it to be a bilingual. We tried that earlier with Mangal Pandey but it didn't work.
With Ranbir Kapoor not part of the project anymore, will Imran step in?
Ranbir couldn't do the film due to date hassles. As for Imran, let's see. We haven't taken a call yet.
Courtesy: sify.com
Monday, July 21, 2008
Atul Kulkarni plays Gobar in ‘Dilli 6′
After playing substantial roles in films like “Chandni Bar”, “Page” and “Rang De Basanti”, two time National Award winning actor Atul Kulkarni is to play a character named Gobar in Rakeysh Om Prakash Mehra’s “Dilli 6″. Although Atul refused to divulge any further details about his character, he confirmed the news saying: “In ‘Dilli 6′, I am playing Gobar. The role is totally opposite to what I played in ‘Rang De…’.”
Atul spoke at the ongoing 10th Osian’s-Cinefan Film Festival of Asian and Arab cinema.
The actor shares screen space with Abhishek Bachchan, Sonam Kapoor and Om Puri in “Dilli 6″, which is based on the director’s growing up years in the Chandni Chowk area of Old Delhi.
The actor informed that he will also be seen in “Yeh Mera India”, “Allah Ke Bande” and an English film titled “Chaurasta” with director Anjan Dutt.
At the moment, the actor is very content with the way his career has shaped up.
“Considering the age at which I started doing cinema, I have got good roles. I have worked with most top actors like Aamir Khan and even some of the best directors in Bollywood,” he said.
Atul is quite confident that he looks much younger than the three Khans of Bollywood - Shah Rukh, Salman and Aamir - despite being born the same year.
“I was born in 1965 like the three Khans. But I look much younger than them. Isn’t it?” he remarked.
Courtesy: thaindian.com
Atul spoke at the ongoing 10th Osian’s-Cinefan Film Festival of Asian and Arab cinema.
The actor shares screen space with Abhishek Bachchan, Sonam Kapoor and Om Puri in “Dilli 6″, which is based on the director’s growing up years in the Chandni Chowk area of Old Delhi.
The actor informed that he will also be seen in “Yeh Mera India”, “Allah Ke Bande” and an English film titled “Chaurasta” with director Anjan Dutt.
At the moment, the actor is very content with the way his career has shaped up.
“Considering the age at which I started doing cinema, I have got good roles. I have worked with most top actors like Aamir Khan and even some of the best directors in Bollywood,” he said.
Atul is quite confident that he looks much younger than the three Khans of Bollywood - Shah Rukh, Salman and Aamir - despite being born the same year.
“I was born in 1965 like the three Khans. But I look much younger than them. Isn’t it?” he remarked.
Courtesy: thaindian.com
Sunday, July 06, 2008
First Look: Rakeysh Omprakash Mehra's Dilli 6 now moved into the editing stage
Rakesh Om Prakash Mehra''s Abhishek Bachchan and Sonam Kapoor new film, Dilli 6, has now moved into the editing stage.
Starring Abhishek Bachchan, Sonam Kapoor, Om Puri, Atul Kulkarni, and Divya Dutta, Dilli 6 is based on Mehra's growing up years in Chandni Chowk area of Old Delhi.
Dilli 6 will be Mehra's third directorial venture, after the immensely successful Rang De Basanti, which had been selected as India's official entry to the Oscars.
The film, whose shooting mainly took place in Rajasthan, has wrapped up its shooting schedule and now moves into post production.
The film which stars Abhishek Bachchan and Sonam Kapoor, will be edited by Mehra's wife Bharti. She is the woman behind the final look of Mehra's films, be it Aks or Rang De Basanti.
In fact, the director completely trusts his wife and is believed to have said that he has not yet entered the editing studio, where work has begun on the film.
Mehra believes in surrendering to the superior, technical genius of his wife when it comes to editing.
Courtesy: mynews.in
Rakesh Mehra speaks about filmmaking and the completion of Dilli 6
It's about time we heard from the cinematic genius who has been hiding for months now, working hard on Dilli 6. At last his work is over. Dilli 6 is now complete and in the safe hands of Rakesh’s wife, Bharathi, who is toiling very hard now to do immaculate editing to the movie. Bharathi did the editing for both of Rakesh’s previous releases, Aks & Rang De Basanti, and Rakesh Mehra is sure she’ll work her magic again.
When speaking to Mid-day, Rakesh said that he had yet to step into the editing studio and does not plan to either. He believes that he needs to let her do her work independently and treat her expertise exactly as he treats the expertise of any other technician he works with. Editing to Rakesh Mehra is the purest art form of cinema as it is the only craft that truly relates with cinema. Rakesh also added that he believes screenplay and editing are the backbones for any movie and considers no one to know Bharathi’s job better than her.
Now that Dilli 6 is out of his hands, what is the genius up to? Well, like they say a genius mind is never resting. Tired physically from the journey of Dilli 6, Rakesh Mehra is now returning to writing. One would think this is still a tiring job, but for Rakesh it’s a relaxing task. Subhash K Jha cleverly tried to get a hint of the cast for this project in the making, however Rakesh clearly stated that his scripts choose their actors. Besides, what he is writing may not necessarily be what he directs next.
Well, whatever Rakesh Mehra is up to, BollySpice will surely be the first to bring you the news!
Courtesy: bollyspice.com
When speaking to Mid-day, Rakesh said that he had yet to step into the editing studio and does not plan to either. He believes that he needs to let her do her work independently and treat her expertise exactly as he treats the expertise of any other technician he works with. Editing to Rakesh Mehra is the purest art form of cinema as it is the only craft that truly relates with cinema. Rakesh also added that he believes screenplay and editing are the backbones for any movie and considers no one to know Bharathi’s job better than her.
Now that Dilli 6 is out of his hands, what is the genius up to? Well, like they say a genius mind is never resting. Tired physically from the journey of Dilli 6, Rakesh Mehra is now returning to writing. One would think this is still a tiring job, but for Rakesh it’s a relaxing task. Subhash K Jha cleverly tried to get a hint of the cast for this project in the making, however Rakesh clearly stated that his scripts choose their actors. Besides, what he is writing may not necessarily be what he directs next.
Well, whatever Rakesh Mehra is up to, BollySpice will surely be the first to bring you the news!
Courtesy: bollyspice.com
Sunday, June 22, 2008
GHAJINI: Aamir's 'low waist' Western dance!
Though he may not be as flamboyant a dancer as a Hrithik Roshan or have the charisma of a Shah Rukh Khan or may be even the 'latkas' and 'jhatkas' of an Akshay Kumar, when it comes to dancing, Aamir Khan is one of the most accomplished and spontaneous dancers that the industry has ever produced. The proof of that is the immense popularity of his dance numbers right from DIL ("Khambe Jaisi Khadi Hai"), MANN ("Kaali Nagin Ke Jaisi"), GHULAM ("Aati Kya Khandala"), RANG DE BASANTI ("Masti Ki Paathshala") and the recent TAARE ZAMEEN PAR ("BUM BUM BOLE"), to name a few.
However his fans have missed seeing him in an out and out commercial, masala, Western dance number. But here is good news. Aamir Khan has shot for a Western style dance number for his upcoming flick, GHAJINI. The choreographer Ahmed Khan was all praise for Aamir's classy dancing skills and said that he was sure that the number would turn out to be chartbuster.
Aamir's sports an in-vogue, 'low-waist' jeans and tight fitting t-shirts, where his recently acquired well-toned body too will be highlighted! The perfectionist that Aamir Khan is, he worked really hard on his dance steps and gave such a rocking performance that he had the whole unit up in applause.
Well, we are already looking forward to GHAJINI and our expectations are now sky-high after hearing what Ahmed Khan has to say!
Courtesy: glamsham.com
However his fans have missed seeing him in an out and out commercial, masala, Western dance number. But here is good news. Aamir Khan has shot for a Western style dance number for his upcoming flick, GHAJINI. The choreographer Ahmed Khan was all praise for Aamir's classy dancing skills and said that he was sure that the number would turn out to be chartbuster.
Aamir's sports an in-vogue, 'low-waist' jeans and tight fitting t-shirts, where his recently acquired well-toned body too will be highlighted! The perfectionist that Aamir Khan is, he worked really hard on his dance steps and gave such a rocking performance that he had the whole unit up in applause.
Well, we are already looking forward to GHAJINI and our expectations are now sky-high after hearing what Ahmed Khan has to say!
Courtesy: glamsham.com
Monday, May 26, 2008
'Aamir is not difficult to work with'
Aamir Khan is going all out to launch his nephew Imraan Khan in Abbas Tyrewala's Jaane Tu... Ya Jaane Na, and has roped in the best to make the film successful.
That would, of course, include A R Rahman.
Rahman gave us a sneak preview of the music in his own voice. Listen to it here. He also spoke to Nithya Ramani and Syed Firdaus Ashraf about the film. Excerpts:
How does it feel working with Abbas Tyrewala?
This is a completely new team for me. So working with him was a little strange in the beginning. Then, we got used to each other. When the music was done, Aamir was happy and appreciated it. He said that the two of us made a good team.
Was it difficult working with Aamir and producer Mansoor Khan?
Aamir is not difficult to work with. It's just that when he gets excited about something, he likes the integrity of the same thing. And when something goes wrong, he wants to bring the integrity back. He likes to balance the whole project. He is a great producer.
Was Aamir involved in the music of his films?
We last worked during Rang De Basanti . I just get just feedback from him. He is more involved in the music of Gajini than any of his previous films.
Whats the best part about 2008 yet?
The best part of 2008 for me is the launch of my music conservatory. It's very important to me, and a completely different road. I am looking forward to this exciting venture.
What was your reason for opening this school?
The time has come to start, so that we could have an orchestra. We have got about 1,000 queries and managing director Selvakumar is in the process of replying to it. It is about musicians. Only if you have musicians, you can have composers. [We want] to create a pallate of players for future composers. If they don't have musicians, they will make music out of computers. By this, they might lose the joy of listening to live music and composing from that.
Are you scoring the music for Rajiv Menon's Dhun?
Yes, we are in the process of getting it finalised.
You were supposed to go to Cannes Film Festival this year. Why did you not go?
That was very strange. I saw it in the newspapers. I had other commitments, and they called me on a very short notice. So I could not go.
Courtesy: rediff.com
That would, of course, include A R Rahman.
Rahman gave us a sneak preview of the music in his own voice. Listen to it here. He also spoke to Nithya Ramani and Syed Firdaus Ashraf about the film. Excerpts:
How does it feel working with Abbas Tyrewala?
This is a completely new team for me. So working with him was a little strange in the beginning. Then, we got used to each other. When the music was done, Aamir was happy and appreciated it. He said that the two of us made a good team.
Was it difficult working with Aamir and producer Mansoor Khan?
Aamir is not difficult to work with. It's just that when he gets excited about something, he likes the integrity of the same thing. And when something goes wrong, he wants to bring the integrity back. He likes to balance the whole project. He is a great producer.
Was Aamir involved in the music of his films?
We last worked during Rang De Basanti . I just get just feedback from him. He is more involved in the music of Gajini than any of his previous films.
Whats the best part about 2008 yet?
The best part of 2008 for me is the launch of my music conservatory. It's very important to me, and a completely different road. I am looking forward to this exciting venture.
What was your reason for opening this school?
The time has come to start, so that we could have an orchestra. We have got about 1,000 queries and managing director Selvakumar is in the process of replying to it. It is about musicians. Only if you have musicians, you can have composers. [We want] to create a pallate of players for future composers. If they don't have musicians, they will make music out of computers. By this, they might lose the joy of listening to live music and composing from that.
Are you scoring the music for Rajiv Menon's Dhun?
Yes, we are in the process of getting it finalised.
You were supposed to go to Cannes Film Festival this year. Why did you not go?
That was very strange. I saw it in the newspapers. I had other commitments, and they called me on a very short notice. So I could not go.
Courtesy: rediff.com
Wednesday, May 14, 2008
DILLI 6, a collage of people and emotions
We had recently told you about the release plans of Rakeysh Omprakash Mehra's next film, DILLI 6, straight from the maker's mouth! Well, once again here is more exclusive inside information about the much awaited Abhishek Bachchan and Sonam Kapoor starrer. This time its about the script of the movie and once again from Mehra himself!
The AKS and RANG DE BASANTI director says that he would not like to get into the intricate details of the script, which he had with him much before RANG DE BASANTI, six years to be precise. He does disclose the interesting fact that DILLI 6 is a collage of 18 different characters and their emotions, which he has tried to capture to the best of his capabilities.
Interesting, one must say, let us wait and watch how the acclaimed director has handled these 18 different and highly talented characters and put them together in DILLI 6, during the 3-months Sambhar schedule!.
Courtesy: glamsham.com
The AKS and RANG DE BASANTI director says that he would not like to get into the intricate details of the script, which he had with him much before RANG DE BASANTI, six years to be precise. He does disclose the interesting fact that DILLI 6 is a collage of 18 different characters and their emotions, which he has tried to capture to the best of his capabilities.
Interesting, one must say, let us wait and watch how the acclaimed director has handled these 18 different and highly talented characters and put them together in DILLI 6, during the 3-months Sambhar schedule!.
Courtesy: glamsham.com
Tuesday, May 06, 2008
Abhishek's DILLI 6 can release later this year!
All through last year we kept you updated with even the minutest details about Rakeysh Omprakash Mehra's DILLI 6. The latest on that front is that Mehra is nearing the completion point of his Abhishek Bachchan starrer. Naturally the question that is on everybody's lips is about the release schedule of the next venture from the AKS and RANG DE BASANTI director. And as always when it's DILLI 6 it is your favourite Glamsham that provides all the answers!
As per the director himself, the option for a year end or an early 2009 release are both open. Mehra goes on to add that he wanted extra time for editing RANG DE BASANTI but the makers were in a hurry to release the movie just before Republic day. However this time around Mehra is quite determined to keep to his longer editing schedule.
Here is hoping to see another trend setter like Rakeysh's last venture, RANG DE BASANTI, especially so because it has the super pairing of the hot 'n' happening Abhishek Bachchan and Anil Kapoor's pretty daughter, Sonam Kapoor.
Courtesy: glamsham.com
As per the director himself, the option for a year end or an early 2009 release are both open. Mehra goes on to add that he wanted extra time for editing RANG DE BASANTI but the makers were in a hurry to release the movie just before Republic day. However this time around Mehra is quite determined to keep to his longer editing schedule.
Here is hoping to see another trend setter like Rakeysh's last venture, RANG DE BASANTI, especially so because it has the super pairing of the hot 'n' happening Abhishek Bachchan and Anil Kapoor's pretty daughter, Sonam Kapoor.
Courtesy: glamsham.com
Friday, April 11, 2008
I have started my own label: A.R. Rahman
From Roja, Bombay, Dil Se, Lagaan and Taal to Rang De Basanti, Guru and the recent release Jodha Akbar- A.R. Rahman has redefined Bollywood film music with his unique panache. TWF correspondent Sreya Basu catches up with the man with the musical Midas touch during his breezy trip to Kolkata.
What brings you to Kolkata this time?
I am here to shoot the season finale of Airtel Bandwagon, a television reality show to provide a platform to new music bands. We shot at the Technicians Studio in Tollygunge.
Why is that Kolkatans don't see much of Rahman in the city?
It's true that I don't frequent Kolkata unlike Chennai, or in that case, Mumbai, but this city will always have a special place in my heart and career. After all, it was in Kolkata that I staged my first concert in the country way back in February, 2003.
We heard that you are going to open a music conservatory?
Yes. It will be opened in Chennai in June this year. It is my dream project and is going to be the first music conservatory of India for training our musicians in western classical music. The first branch of the conservatory will be opened in Kolkata.
When is that going to happen?
See, this kind of project requires a lot of planning and time. It took us years to come up with the one at Chennai. I guess we will have to wait for another couple of years for the next one.
What about a concert in Kolkata?
I am planning to stage a larger-than-life concert here by the end of this year. Right now I am working on my new album. It is almost 10 years since I have come up with anything new- after the release of my last album Vande Mataram.
What is your take on the music scene in Kolkata?
Well, the city breathes refreshing music. Why only Kolkata, the traditional and folk music of Bengal is a pool of inspiration. I even included baul music in the Hindi film Mangal Pandey. I would love to explore the new talents and music of Bengal. Pandit Ajay Chakraborty and Ustad Rashid Khan are among my favourites.
Your music for the play The Lord Of the Rings staged at Theatre Royal Drury Lane in London has turned into a phenomenal success. Do you plan a similar play in India as well?
If I plan a musical play in India that has to be superior than Bombay Dreams and The Lord of the Rings. Outside India people literally travel across cities and even countries to watch a play.
People from France and Germany booked their tickets in advance for The Lord of the Rings. India is strongly possessive about her tradition and genre of theatre and music.
If only we manage to break off this shell that we too will be in a position to experiment a little with Indian theatre, especially when today there is no dearth of sponsors here.
You started with Tamil films, then Hindi, and now composing music for Broadway and West End as well. What's next in line?
I have started my own label. That means I have the freedom to experiment and do whatever I want to do with and for music. I would like to exploit this opportunity thoroughly.
Courtesy: santabanta.com
What brings you to Kolkata this time?
I am here to shoot the season finale of Airtel Bandwagon, a television reality show to provide a platform to new music bands. We shot at the Technicians Studio in Tollygunge.
Why is that Kolkatans don't see much of Rahman in the city?
It's true that I don't frequent Kolkata unlike Chennai, or in that case, Mumbai, but this city will always have a special place in my heart and career. After all, it was in Kolkata that I staged my first concert in the country way back in February, 2003.
We heard that you are going to open a music conservatory?
Yes. It will be opened in Chennai in June this year. It is my dream project and is going to be the first music conservatory of India for training our musicians in western classical music. The first branch of the conservatory will be opened in Kolkata.
When is that going to happen?
See, this kind of project requires a lot of planning and time. It took us years to come up with the one at Chennai. I guess we will have to wait for another couple of years for the next one.
What about a concert in Kolkata?
I am planning to stage a larger-than-life concert here by the end of this year. Right now I am working on my new album. It is almost 10 years since I have come up with anything new- after the release of my last album Vande Mataram.
What is your take on the music scene in Kolkata?
Well, the city breathes refreshing music. Why only Kolkata, the traditional and folk music of Bengal is a pool of inspiration. I even included baul music in the Hindi film Mangal Pandey. I would love to explore the new talents and music of Bengal. Pandit Ajay Chakraborty and Ustad Rashid Khan are among my favourites.
Your music for the play The Lord Of the Rings staged at Theatre Royal Drury Lane in London has turned into a phenomenal success. Do you plan a similar play in India as well?
If I plan a musical play in India that has to be superior than Bombay Dreams and The Lord of the Rings. Outside India people literally travel across cities and even countries to watch a play.
People from France and Germany booked their tickets in advance for The Lord of the Rings. India is strongly possessive about her tradition and genre of theatre and music.
If only we manage to break off this shell that we too will be in a position to experiment a little with Indian theatre, especially when today there is no dearth of sponsors here.
You started with Tamil films, then Hindi, and now composing music for Broadway and West End as well. What's next in line?
I have started my own label. That means I have the freedom to experiment and do whatever I want to do with and for music. I would like to exploit this opportunity thoroughly.
Courtesy: santabanta.com
Wednesday, March 12, 2008
Rahman – The January Secret.
The month of January seems to turn the Musical Wizard on; there is a special connection between Rahman and January. Whenever he has had an album or a movie release in January it has for sure gone on to rock the charts for months, maybe an entire year altogether. Not impressed, well then the last three Januaries (2006, 2007 & 2008) have been nothing but Rahman, not in Kollywood but definitely so in Bollywood.
2006 - On the 26th of January, the movie Rang De Basanti released. Now if you have not heard Rang De Basanti (which is quite close to impossible) then you possibly do not know that Rahman is very close to the best in India when it comes to delivering high energy Punjabi numbers. The Rang De Basanti song which had Daler Mehendi in full throttle with the desi drums for company pumped adrenalin into the farthest corners of our body. Then there was the ‘Paathshala’ which might be called the ‘School of Rock/Rap’ for Indian film music, something never heard or tired before. Then Khalbali with the distinct Arabic feel that made you want to dance. And of course, there were the signature Rahman melodies, Roobaroo (the song that unearthed Naresh Iyer) and Tu Bin Bataayein that left a lump in your throat- January 2006.
2007 - We need not tell you what was unleashed in January 2007. For the ones not so fortunate with their memory- Guru. Another Mani Ratnam-Rahman combo that gave us everything that we needed for our hearing pleasures. Maiya Maiya, again an Arabic touch but very cleverly tweaked to suit our tastes. But then this was just the average part of an album that had two lilting melodies- Tere Bina and Aye Hairathe, the latter especially making us linger on in the sweet symphony of Hariharan’s voice as it blended with the subtly used tables. Not to forget the thundering background music that gave us the thrill.
2008- The music is just catching on in some parts of India but Rahman has definitely scored a hat-trick of hits in successive Januaries. Jodha-Akbar has sealed the love story of Rahman and January (Jodha Akbar Music was released in January). It may not be the ‘first time love’ kind of songs but Rahman has given one of the finest albums in recent times. Jashn-e-Bahara is definitely the most ‘melting melody’ that has come out since Aie Hairathe- the perfect use of Sonu Nigam’s sweet voice. ‘In Lamhon Ke Daaman’ too makes us lose ourselves in layers of finely crafted sound. But the cake is really taken by the instrumental versions where the flute replaces the vocals-mesmerizing. And for the thrill, hear Azeem-o-shaan shahenshah with its resounding drums.
So, what’s for January 2009- we cannot wait.
Courtesy: behindwoods.com
2006 - On the 26th of January, the movie Rang De Basanti released. Now if you have not heard Rang De Basanti (which is quite close to impossible) then you possibly do not know that Rahman is very close to the best in India when it comes to delivering high energy Punjabi numbers. The Rang De Basanti song which had Daler Mehendi in full throttle with the desi drums for company pumped adrenalin into the farthest corners of our body. Then there was the ‘Paathshala’ which might be called the ‘School of Rock/Rap’ for Indian film music, something never heard or tired before. Then Khalbali with the distinct Arabic feel that made you want to dance. And of course, there were the signature Rahman melodies, Roobaroo (the song that unearthed Naresh Iyer) and Tu Bin Bataayein that left a lump in your throat- January 2006.
2007 - We need not tell you what was unleashed in January 2007. For the ones not so fortunate with their memory- Guru. Another Mani Ratnam-Rahman combo that gave us everything that we needed for our hearing pleasures. Maiya Maiya, again an Arabic touch but very cleverly tweaked to suit our tastes. But then this was just the average part of an album that had two lilting melodies- Tere Bina and Aye Hairathe, the latter especially making us linger on in the sweet symphony of Hariharan’s voice as it blended with the subtly used tables. Not to forget the thundering background music that gave us the thrill.
2008- The music is just catching on in some parts of India but Rahman has definitely scored a hat-trick of hits in successive Januaries. Jodha-Akbar has sealed the love story of Rahman and January (Jodha Akbar Music was released in January). It may not be the ‘first time love’ kind of songs but Rahman has given one of the finest albums in recent times. Jashn-e-Bahara is definitely the most ‘melting melody’ that has come out since Aie Hairathe- the perfect use of Sonu Nigam’s sweet voice. ‘In Lamhon Ke Daaman’ too makes us lose ourselves in layers of finely crafted sound. But the cake is really taken by the instrumental versions where the flute replaces the vocals-mesmerizing. And for the thrill, hear Azeem-o-shaan shahenshah with its resounding drums.
So, what’s for January 2009- we cannot wait.
Courtesy: behindwoods.com
Monday, March 10, 2008
First look at Dilli 6
The next film from Rang De Basanti’s Rakeysh Omprakash Mehra, Dilli 6 is a semi-autobiographical take on his younger days in Delhi, mainly set in the old lanes of Chandni Chowk.
What’s new is the casting of the film which has been more of a game of musical chairs. First, it was Abhishek Bachchan, then Hrithik Roshan, Akshay Kumar, Siddharth (of Rang De Basanti fame), Kunal Kapoor and even Ranbir Kapoor! Ironically, the lead role landed in the lap of AB’s baby, who had earlier turned it down. We bring you the views of the final hero of Dilli 6, Abhishek Bachchan, who explained as to why it all started in the first place. “Earlier, I did not have dates. Rakeysh came back some months later with a reworked script.
Thankfully, I could manage to juggle the scheds of Drona and Dilli 6.” Reportedly, the sets for the film constructed in Sambhar in Rajasthan gives a feel that the film has been shot in Chandni Chowk. Meanwhile, Sonam Kapoor too has been signed opposite Abhishek. Apart from the duo, the film also stars Waheeda Rehman, Om Puri, Atul Kulkarni and Divya Dutta. Music for has been composed by A R Rahman. A little history: Rakeysh was supposed to launch Abhishek with Samjhauta Express in 2000 but that somehow did not happen. Never mind, they are also doing Bhairavi, where the three Bachchans come together on screen for the first time. Aamir’s star value definitely helped Rang De Basanti do better at the box-office; will Abhishek do the same for Dilli 6? At least that is what Rakeysh must be expecting from junior Bachchan.
Courtesy: newindpress.com
What’s new is the casting of the film which has been more of a game of musical chairs. First, it was Abhishek Bachchan, then Hrithik Roshan, Akshay Kumar, Siddharth (of Rang De Basanti fame), Kunal Kapoor and even Ranbir Kapoor! Ironically, the lead role landed in the lap of AB’s baby, who had earlier turned it down. We bring you the views of the final hero of Dilli 6, Abhishek Bachchan, who explained as to why it all started in the first place. “Earlier, I did not have dates. Rakeysh came back some months later with a reworked script.
Thankfully, I could manage to juggle the scheds of Drona and Dilli 6.” Reportedly, the sets for the film constructed in Sambhar in Rajasthan gives a feel that the film has been shot in Chandni Chowk. Meanwhile, Sonam Kapoor too has been signed opposite Abhishek. Apart from the duo, the film also stars Waheeda Rehman, Om Puri, Atul Kulkarni and Divya Dutta. Music for has been composed by A R Rahman. A little history: Rakeysh was supposed to launch Abhishek with Samjhauta Express in 2000 but that somehow did not happen. Never mind, they are also doing Bhairavi, where the three Bachchans come together on screen for the first time. Aamir’s star value definitely helped Rang De Basanti do better at the box-office; will Abhishek do the same for Dilli 6? At least that is what Rakeysh must be expecting from junior Bachchan.
Courtesy: newindpress.com
Big B to play Abhishek's grandpa
Amitabh Bachchan will be seen playing Abhishek Bachchan’s grandfather in director Rakeysh Omprakash Mehra’s film Dilli 6 .
Abhishek Bachchan may not have liked the idea of playing the younger Big B in Shoojit Sircar’s in-the-making film ‘Shoebite’, but the senior Bachchan has happily agreed to act in Mehra’s semi-autobiographical flick starring Abhishek and Sonam Kapoor in lead roles.
The film has Amitabh and Waheeda Rahman playing grandparents of the character played by Abhishek.
Big B and Waheeda ji have worked together in a number of films in the 70s and 80s, and ‘Dilli 6’ marks their coming together after a long gap of about 25 years.
Mehra, who is extremely fond of Waheeda ji (she was also part of his Rang De Basanti ), reportedly wanted her only to play the role of Abhi’s grandma.
Reports say that the two senior actors have already shot a few portions of the film in Rajasthan.
Courtesy: Apunkachoice.com
Abhishek Bachchan may not have liked the idea of playing the younger Big B in Shoojit Sircar’s in-the-making film ‘Shoebite’, but the senior Bachchan has happily agreed to act in Mehra’s semi-autobiographical flick starring Abhishek and Sonam Kapoor in lead roles.
The film has Amitabh and Waheeda Rahman playing grandparents of the character played by Abhishek.
Big B and Waheeda ji have worked together in a number of films in the 70s and 80s, and ‘Dilli 6’ marks their coming together after a long gap of about 25 years.
Mehra, who is extremely fond of Waheeda ji (she was also part of his Rang De Basanti ), reportedly wanted her only to play the role of Abhi’s grandma.
Reports say that the two senior actors have already shot a few portions of the film in Rajasthan.
Courtesy: Apunkachoice.com
Monday, February 11, 2008
Rahman’s pick
TWENTY-five-year-old Naresh was just another free-spirited youngster who enjoyed music, did a bit of singing for himself and longed for a career in chartered accountancy.
Although he had won a few inter- collegiate music competitions, Naresh believed it was nothing more than good luck.
But when the winning became consistent he wondered whether he actually had a flair for music.
In 2005, Naresh found himself amongst the last 25 contestants of Channel V’s music talent hunt show V Supersinger.
The show turned out a dream run for the young man who met musicians of the likes of A R Rahman and Adnan on the sets. But the honeymoon was not to last long and Naresh was soon out of the show.
Not empty-handed, though, he had a singing offer from Rahman, which again he thought was too good to be true. But in a few months Roobaroo happened and life changed forever for Naresh Iyer.
Three years later, Naresh is a national award-winning playback singer. This website’s newspaper caught up with the velvet-voiced pick of Rahman who rendered many of his recent cult hits, including Roobaroo, Patshala and Munbe Va.
“I never thought that Rahman sir was serious when he made the offer that day. I thought he was only trying to console me as I was out of the show. But within four days, his engineer called me and I was flabbergasted,” says the 27-year-old singer with his trade-mark smile intact on his boyish face.
Ever since that classy Rang De Basanti number hit the charts there has been no looking back for this youngster from Mumbai. The song won him the National Award for best play back singer for 2006.
Today, Naresh juggles his time between stage shows and recordings. Something he never dreamt of three years ago.
“I was just a guy who dreamt of becoming a CA and was happy with my studies. Although I was training in music under Susheela Mani and Chintamani Gore, I was not really serious about a career in music,” Naresh swears.
Interestingly, it was his parents who coerced this studious boy into music. Naresh’s mother actually wanted him to participate in Indian Idol.
“I was kind of bored with reality shows and wanted to pursue studies rather than music. But when V Supersinger happened, my family almost pushed me out of the house to participate in it,” he says.
Little did he know then that he was about to be hand-picked by Rahman for an enviable musical career.
Rahman not only gave Naresh his first playback song (Mayilerege for Anbe Aaruyire) and his first Bollywood break (Roobaroo) but also made him part of his team for world tours.
Naresh has by now shared many stages with the legendary composer. “It is tough when you are sharing the stage with artists’ of this stature because the expectations are always very high. Being part of that team itself is a challenge,” says Naresh.
However, unlike stage shows recording with AR is an entirely different experience, he says.
“He is a treasure house of knowledge, and you always come out having learnt something after each session. He always keeps his sessions relaxed and when you are done with a song you feel like starting it all over again.”
Naresh has also worked with other leading Tamil composers, including Harris Jayaraj and Deva. He is now looking forward to singing for Ilayaraja and Vidyasagar.
Naresh, who is a native of Palakkad, has only sung one Malayalam song for the film Heart Beats. He is now looking forward to his next Hindi project with Anu Malik, which is set to begin soon.
“I still feel like I am living a dream. I just don’t want it to end.” That's very unlikely, going by his run in tinsel town so far. Nevertheless, touch wood !
Courtesy: Newindpress.com
Although he had won a few inter- collegiate music competitions, Naresh believed it was nothing more than good luck.
But when the winning became consistent he wondered whether he actually had a flair for music.
In 2005, Naresh found himself amongst the last 25 contestants of Channel V’s music talent hunt show V Supersinger.
The show turned out a dream run for the young man who met musicians of the likes of A R Rahman and Adnan on the sets. But the honeymoon was not to last long and Naresh was soon out of the show.
Not empty-handed, though, he had a singing offer from Rahman, which again he thought was too good to be true. But in a few months Roobaroo happened and life changed forever for Naresh Iyer.
Three years later, Naresh is a national award-winning playback singer. This website’s newspaper caught up with the velvet-voiced pick of Rahman who rendered many of his recent cult hits, including Roobaroo, Patshala and Munbe Va.
“I never thought that Rahman sir was serious when he made the offer that day. I thought he was only trying to console me as I was out of the show. But within four days, his engineer called me and I was flabbergasted,” says the 27-year-old singer with his trade-mark smile intact on his boyish face.
Ever since that classy Rang De Basanti number hit the charts there has been no looking back for this youngster from Mumbai. The song won him the National Award for best play back singer for 2006.
Today, Naresh juggles his time between stage shows and recordings. Something he never dreamt of three years ago.
“I was just a guy who dreamt of becoming a CA and was happy with my studies. Although I was training in music under Susheela Mani and Chintamani Gore, I was not really serious about a career in music,” Naresh swears.
Interestingly, it was his parents who coerced this studious boy into music. Naresh’s mother actually wanted him to participate in Indian Idol.
“I was kind of bored with reality shows and wanted to pursue studies rather than music. But when V Supersinger happened, my family almost pushed me out of the house to participate in it,” he says.
Little did he know then that he was about to be hand-picked by Rahman for an enviable musical career.
Rahman not only gave Naresh his first playback song (Mayilerege for Anbe Aaruyire) and his first Bollywood break (Roobaroo) but also made him part of his team for world tours.
Naresh has by now shared many stages with the legendary composer. “It is tough when you are sharing the stage with artists’ of this stature because the expectations are always very high. Being part of that team itself is a challenge,” says Naresh.
However, unlike stage shows recording with AR is an entirely different experience, he says.
“He is a treasure house of knowledge, and you always come out having learnt something after each session. He always keeps his sessions relaxed and when you are done with a song you feel like starting it all over again.”
Naresh has also worked with other leading Tamil composers, including Harris Jayaraj and Deva. He is now looking forward to singing for Ilayaraja and Vidyasagar.
Naresh, who is a native of Palakkad, has only sung one Malayalam song for the film Heart Beats. He is now looking forward to his next Hindi project with Anu Malik, which is set to begin soon.
“I still feel like I am living a dream. I just don’t want it to end.” That's very unlikely, going by his run in tinsel town so far. Nevertheless, touch wood !
Courtesy: Newindpress.com
Tuesday, January 29, 2008
Aamir Khan won’t star in 'Delhi Belly'
A promise made to his kids has prevented superstar Aamir Khan from acting in his home production Delhi Belly .
Sadly, we may not see the perfectionist Khan acting in ‘Delhi Belly’, purportedly an action comedy set in Delhi. The movie is a very ambitious venture of Aamir Khan Productions. Its shooting crew, including cinematographer, will be from abroad. The film, in English language, will reportedly be directed by Swedish director Robert Nylund.
It is learnt that Aamir was keen to play a character named Nitin in the film, but he dropped the idea because he wants to keep himself free for a holiday with his kids Junaid and Aira.
‘Delhi Belly’ will go on the floors in March. And Aamir’s two kids will be free from their yearly exams by the end of March. That is when Aamir plans to wrap up the shooting of the Ghajini remake and head to a holiday with his kids.
The actor has not been able to spend much time with Junaid and Aira because he has been busy with publicity and release of Taare Zameen Par , which is showing no signs of slowing down at the box-office.
The movie has already surpassed the earnings of Rang De Basanti and may well turn out to be the biggest hit of 2007-2008.
The coming months would also see Aamir preparing for another home production that will go on the floors later this year.
Courtesy: Apunkachoice.com
Sadly, we may not see the perfectionist Khan acting in ‘Delhi Belly’, purportedly an action comedy set in Delhi. The movie is a very ambitious venture of Aamir Khan Productions. Its shooting crew, including cinematographer, will be from abroad. The film, in English language, will reportedly be directed by Swedish director Robert Nylund.
It is learnt that Aamir was keen to play a character named Nitin in the film, but he dropped the idea because he wants to keep himself free for a holiday with his kids Junaid and Aira.
‘Delhi Belly’ will go on the floors in March. And Aamir’s two kids will be free from their yearly exams by the end of March. That is when Aamir plans to wrap up the shooting of the Ghajini remake and head to a holiday with his kids.
The actor has not been able to spend much time with Junaid and Aira because he has been busy with publicity and release of Taare Zameen Par , which is showing no signs of slowing down at the box-office.
The movie has already surpassed the earnings of Rang De Basanti and may well turn out to be the biggest hit of 2007-2008.
The coming months would also see Aamir preparing for another home production that will go on the floors later this year.
Courtesy: Apunkachoice.com
Tuesday, January 22, 2008
Aamir Khan lines up 3 productions for 2008
Still reveling in the success of his directorial debut Taare Zameen Par, actor – producer Aamir Khan is all set to begin shooting for the Hindi remake of Tamil film Ghajini. According to Khan, the collections of Taare Zameen Par have surpassed those of Rang De Basanti, which was released in 2006.
Khan, who has been busy with the release of his movie, for the last few months, will resume shooting for Ghajini on 22 January.
Apart from this, the actor's production house is also buzzing with work. As many as three films are being worked upon this year at Aamir Khan Productions. The shooting for the next film under his banner - Jaane Tu… is now complete. The film, which is being directed by Abbas Tyrewala, will see the debut of Khan's nephew Imran Khan. Telugu actress Genelia has been cast opposite Imran.
Khan is also in the process of supervising the preparations on his other home production called Delhi Belly, which will be an action comedy. The shooting for the same starts in March.
What’s more, Khan has also zeroed in on yet another film that he will be producing later this year. The film is as yet untitled.
As for the Ghajini remake, the title for the Hindi version has not yet been decided upon. The film also stars Asin, Mohit Alawat and Jiah Khan and is directed by A.R. Murugadoss, who incidentally also directed the Tamil version.
The movie is being produced by Allu Arvind and Madhu Varma. The film’s music is by AR Rahman and lyrics are by Prasoon Joshi. Cinematography is by Ravi Chandran and choreography by Ahmed Khan.
Apart from all these activities, Khan is also readying for the home video release of Taare Zameen Par. In an earlier interview with Businessofcinema.com, Khan had said that post completing the shoot for Ghajini; he would take a six months’ break from work. Now with all the activities lined up at his production house, it remains to be seen whether the actor is able to get away!
Courtesy: Businessofcinema.com
Khan, who has been busy with the release of his movie, for the last few months, will resume shooting for Ghajini on 22 January.
Apart from this, the actor's production house is also buzzing with work. As many as three films are being worked upon this year at Aamir Khan Productions. The shooting for the next film under his banner - Jaane Tu… is now complete. The film, which is being directed by Abbas Tyrewala, will see the debut of Khan's nephew Imran Khan. Telugu actress Genelia has been cast opposite Imran.
Khan is also in the process of supervising the preparations on his other home production called Delhi Belly, which will be an action comedy. The shooting for the same starts in March.
What’s more, Khan has also zeroed in on yet another film that he will be producing later this year. The film is as yet untitled.
As for the Ghajini remake, the title for the Hindi version has not yet been decided upon. The film also stars Asin, Mohit Alawat and Jiah Khan and is directed by A.R. Murugadoss, who incidentally also directed the Tamil version.
The movie is being produced by Allu Arvind and Madhu Varma. The film’s music is by AR Rahman and lyrics are by Prasoon Joshi. Cinematography is by Ravi Chandran and choreography by Ahmed Khan.
Apart from all these activities, Khan is also readying for the home video release of Taare Zameen Par. In an earlier interview with Businessofcinema.com, Khan had said that post completing the shoot for Ghajini; he would take a six months’ break from work. Now with all the activities lined up at his production house, it remains to be seen whether the actor is able to get away!
Courtesy: Businessofcinema.com
Sunday, January 20, 2008
Jodhaa-Akbar - Music Review
At long last! After months of delays and countless rumours, the music for Ashutosh Gowariker’s monumental Jodhaa Abkar (JA) has finally been released. As you will no doubt be aware, the epic portrayal concerns the life and times of the 16th Century Mughal emperor Zalaluddin Akbar and in particular his romance with a Rajput Princess, Jodhaa. Never mind the movie, there has been just as much anticipation for the soundtrack but why all the hype you may ask? Well it’s all to do with the magical partnership of the Director / Music Director and their previous successes.Based on the critically acclaimed Lagaan and Swades, no one can doubt that he (Ashutosh) has been inspirational in pushing the bar as far as Indian cinema is concerned. No stone was left unturned in these projects. So when it comes to producing the music, it’s no surprise that he turns to his favourite composer, the undeniable genius that is AR Rahman (ARR). Globally recognised as an inspirational musician, his work (including that of Lagaan and Swades) has often stirred widespread debate and criticism but to his credit, it’s mainly been subject to widespread praise and popularity.
To his fans of which there are many including this writer, ARR is the epitome of the absolute finest that Hindi music has to offer and has been for almost two decades now. Apart from ‘how does he do it’, the biggest question on everyone’s lips is ‘can he produce another blockbuster soundtrack befitting the undoubted quality and grandeur expected of the movie?’ Well listeners, I am delighted to say that with JA the answer is a resounding YES and the partnership of Gowariker / Rahman has delivered another inspirational score to resonate in your ears for years to come. Here is why…
As if to make up for lost time for his fans and music lovers alike (let’s face it his last soundtrack Guru was disappointing), ARR makes an immediate and quite mind-blowing impact with the opening track Azeem-O-Shaan Shahenshah. Bellowing horns and thundering drums commence proceedings for the introduction of our emperor Akbar and what follows is a remarkable background piece that portrays his stature, aura and power in 16th Century India. Whilst the horns and drums remain intact for the majority of the track, they fade intermittently with the introduction of several unique but incredibly crisp arrangements composing of instruments used in battles e.g. sword thrusts etc which, when combined into one harmonious tune, have the potential impact of taking your breath away! And then you suddenly realise the stirring vocals by Mohammad Aslam, Bony Chakravarty and Chorus but such is the impact of the music you barely notice their presence. Javed Akhtar’s lyrics are very suiting of the occasion. Suffice to say this is ARR at his very best and proves yet again why he is the master of periodic / thematic compositions, quite simply awe-inspiring work here!
As if one gem wasn’t enough the maestro then offers another in the form of the absolutely dazzling Jashn-e-Bahaaraa. This extremely addictive and heart-warming romantic number blooms with the sound of a sublime string based instrument (guitar variant). If the soft harmonic resonance created by this instrument was not bewitching enough ARR goes one step further and brings in multiple string instruments to add further colour and texture to the orchestration…at one point they all collide together creating a most joyous effect on the ear! The slow but richly soothing melody is underpinned by a delightful percussion which flows through your soul as if to relieve your inertia, leaving you to hit the repeat button time after time.
As for the singing, well it sounds very much like Sonu Nigam but if you listen closely you will surely hear what turns out to be Javed Ali’s finest performance to date (one that Sonu would have been proud of himself), his soft and subdued vocals a testament to his underrated talents. And how can one forget Javed Akhtar’s poetry? It will make you cringe in sheer amazement! This track is another winner all the way and a love song that is befitting of life, love and emotions of any century, any time, any place. That’s the true quality of this composition. It’s a timeless classic.
As is the case for many of his soundtracks, ARR always enjoys a bit of singing and has proved to be extremely effective behind the mic (Yeh Jo Des Hai from Swades, and Roobaroo from Rang De Basanti being two examples).
For JA, he sings with verve and energy for the next track, the fabulous qawaali based Khwaja Mere Khwaja. This lengthy track starts with the sound of a harmonium and a short verse recited by ARR heralding the presence of the emperor Akbar...suddenly the delicious and uplifting sound of an organ interwoven with strings sweeps you off your feet and ushers your thoughts onto a different planet altogether- can a qawaali based song really sound this good (and more importantly perhaps sound this good to a non-qawaali listener?). Well just remember if ARR has blessed the composition anything is possible!
The underlying arrangements are typical of any qawaali based song, strong tabla and harmonium but what makes it distinct and enjoyable is the fusion of melodious ‘alaps’ and hand clapping provided by the chorus that attracts your attention until the very end. The lyricist (Javed saab) provides for simple but attractive poetry. All in all, this is an extremely satisfying qawaali track (arguably the best since Allah-O-Ali from Thathatsu) and unquestionably another highlight of the soundtrack, ARR is clearly in top form here!
The opening of the penultimate track, Inn Lamhon Ke Daaman Mein, still sounds like the blooming Jashn-e-Bahaaraa from a few tracks ago! The soothing strings and percussion return for a second offering however do not be dismayed because if you give it time and effort, you will hear how it eventually blossoms into something potentially even better! Whilst Jashn-e-Bahaaraa was slow paced throughout, this love duet provides much more variety, energy and emotion, in particular listen out for the sudden upsurge in orchestration and the contrasting whisper quiet lulls. Sonu Nigam renders another emotional piece, proving why he is a favourite playback singer of ARR. Madhushree provides supporting vocals later and sounds talented. The lyrics by Javed saab are top rate as usual! Reviewing this track is like dissecting multiple songs that have been intertwined with a golden thread i.e. it sounds fabulous but you don’t know how the maestro has managed to keep its structure and melody intact. Nevertheless it sits proudly as one of the best offerings of JA.
The final track by the name of Mann Mohanaa is a situational song and definitely the weakest effort of the entire album. That’s not to say it’s bad, on the contrary; however it’s a notch or two below the benchmark set by the rest. Another slow and soothing number, this one relies on the catchy combination of the percussion and the tabla to give it melody and to lay the foundations for other instruments such as the flute to make an appearance. Bela Shende (last heard in Paheli) sounds like an accomplished singer but on this rare occasion the lyrics by Javed Akhtar are not up to par with his other contributions here. Overall this track is average by ARR standards.
The immense soundtrack ends with two ingenious pieces, Jashn-e-Bahaaraa (Instrumental), which concentrates on the flute and Khwaja Mere Khwaja (Instrumental) which highlights the oboe. These two tracks come with the highest recommendation possible and should not be disregarded. ARR’s approach to focus on specific instruments confirms his inspirational mind and attention to detail that is rarely matched by fellow composers. Each instrumental provides a unique alternative to the original. A must listen!
With only five full tracks, there was a risk that Jodhaa Akbar’s music would fall short of expectations and alongside all the delays; music fans were rightly getting frustrated. However the cliché ‘the best things come to those who wait’ is very fitting as the Gowarikar / Rahman dream partnership has pulled off another blockbuster score (after Lagaan and Swades). Let’s hope the movie can now pull it off as well!
In conclusion however it must be said that ARR triumphs where other composers have failed since his last major releases (Meenaxi and Swades); his JA compositions are magical, spectacular, invigorating and above all a wholesome experience you rarely get in soundtracks these days. When you cannot pick a favorite you know the benchmark has been set consistently high. Indian music has just added another soundtrack to its eternal treasure. I am sure you will join me in congratulating AR Rahman on his latest Magnus Opus which turns out to be an early but strong contender for best soundtrack of 2008 - more awards clearly await this phenomenal talent who simply never ceases to amaze!
Courtesy: PlanetBollywood.com
Thursday, January 17, 2008
Rahman’s dream‘land'
A R Rahman has already bought land to build the state-of-the-art music conservatory that he first talked about on his birthday, “It’s near the airport in Chennai. And we plan to start work on it very soon.” Now that the land is in place, preparations are underway to ensure that all functioning starts off in the next academic year.
Dreaming big
Rahman says starting a music conservatory is a dream he has nurtured for years. “I feel young talented musicians in our country specially those who want to learn western classical music, have nowhere seriously creative to go.
We need to cultivate a taste for western symphonic music so that an average musically-inclined young musician would be as enthused about learning the violin as the sitar.”
The land purchase puts Rahman’s dream plan into third gear. “We’ll soon be working round-the-clock. I want it to be one of the best music schools in our country.”
Instinctive
Meanwhile, Rahman tells us that he doesn’t want to compare his latest score for Jodhaa Akbar songs with Lagaan or Swades, “I don’t even want to compare it to Rang De Basanti. We’ve done what we liked without thinking of the outcome. You’ve to go by your instincts in every form of art.”
Two of his old scores are also ready for release. “Two years back, Abbas Tyrewala’s Jaane Tu Jaane Na and Adaa by Tanvir Ahmed were recorded. These will come in the next two months.”
And there’s Subhash Ghai’s Yuvraj. “It’s got western-classical vibes. But the sound is Indian, very mellow.
Rakeysh Mehra’s Dilli 6 is also coming up. “It’s turned out well. Who can if it will be accepted? Did anyone expect RDB to become so big?”
Hopeful
Rahman has a lot of hope from popular Hindi music. “A lot of people are still doing good work, but not consistently. Let’s not blame the lack of opportunities for the inconsistency. Malayalam director Adoor Gopalakrishnan says television has corrupted popular tastes… I agree. Even I get pulled into projects that are not right.”
Ask Rahman whom he considers a path breaker and he quips, “Why do we need a pathbreaker? Right now we need experimental melodies but neither do the films demand it, nor do the audiences.”
The composer continues, “When you start composing a soundtrack you’re thinking of what will sell and your intention gets diluted. It becomes more about marketing than creativity. The market should be assessed after the creative process. But there is hope yet.”
Courtesy:
Thursday, January 03, 2008
A look at the big Bollywood releases of 2008
Last year was a mixed bag for Bollywood, but 2008 comes with a lot of promise.
First up in January will be Rajkumar Santoshi's Halla Bol in which actors Ajay Devgan and Vidya Balan will share screen space for the first time. The film, which is about a film star fighting for justice, is believed to be inspired by the Jessica Lal murder case.
February, the month of love, will see Ashutosh Gowarikar's Jodha Akbar hit theatres. This 16th Century epic romance will see Aishwarya Rai Bachchan and Hrithik Roshan together again after Dhoom 2.
The buzz around it:
Ash and Hrithik sizzle in regal splendour.
AR Rahman's lilting music.
April 2008 will see the release of Tashan, and the one reason why you should be watching out for this one is that off-screen couple Saif Ali Khan and Kareena Kapoor will be together in the same frame.
The buzz around it:
Kareena Kapoor and Saif Ali Khan's on-screen chemistry.
Stylish action sequences.
After much dilly-dallying with the casting Rakyesh Omprakash Mehra's Dilli 6 is finally scheduled to release in 2008 with Abhishek Bachchan and Sonam Kapoor in the lead. The film reportedly draws inspiration from Mehra's growing up years in Delhi and the infamous monkey man scare.
The buzz around it:
Rakyesh Omprakash Mehra's next film after Rang De Basanti, so expectations are high.
The Delhi flavour will be well in place.
Ghajini, the remake of a Tamil hit, will be Aamir Khan's film for the year 2008. Murugadas, who directed the original, will direct Aamir Khan, Tamil actress Asin, and Jiah Khan in this racy thriller.
The original Ghajini was itself a remake of the Christopher Nolan thriller Memento. Of course any similarities between the two films will be purely coincidental.
The buzz around it:
Aamir Khan's next after Taare Zameen Par, so once again expectations will be sky high.
The obvious inspiration from Memento.
Courtesy: Ibnlive.com
First up in January will be Rajkumar Santoshi's Halla Bol in which actors Ajay Devgan and Vidya Balan will share screen space for the first time. The film, which is about a film star fighting for justice, is believed to be inspired by the Jessica Lal murder case.
February, the month of love, will see Ashutosh Gowarikar's Jodha Akbar hit theatres. This 16th Century epic romance will see Aishwarya Rai Bachchan and Hrithik Roshan together again after Dhoom 2.
The buzz around it:
Ash and Hrithik sizzle in regal splendour.
AR Rahman's lilting music.
April 2008 will see the release of Tashan, and the one reason why you should be watching out for this one is that off-screen couple Saif Ali Khan and Kareena Kapoor will be together in the same frame.
The buzz around it:
Kareena Kapoor and Saif Ali Khan's on-screen chemistry.
Stylish action sequences.
After much dilly-dallying with the casting Rakyesh Omprakash Mehra's Dilli 6 is finally scheduled to release in 2008 with Abhishek Bachchan and Sonam Kapoor in the lead. The film reportedly draws inspiration from Mehra's growing up years in Delhi and the infamous monkey man scare.
The buzz around it:
Rakyesh Omprakash Mehra's next film after Rang De Basanti, so expectations are high.
The Delhi flavour will be well in place.
Ghajini, the remake of a Tamil hit, will be Aamir Khan's film for the year 2008. Murugadas, who directed the original, will direct Aamir Khan, Tamil actress Asin, and Jiah Khan in this racy thriller.
The original Ghajini was itself a remake of the Christopher Nolan thriller Memento. Of course any similarities between the two films will be purely coincidental.
The buzz around it:
Aamir Khan's next after Taare Zameen Par, so once again expectations will be sky high.
The obvious inspiration from Memento.
Courtesy: Ibnlive.com
Saturday, December 29, 2007
Is Ashutosh preparing himself for the Oscars?
Ashutosh Gowariker, one of the most renowned directors in Bollywood, has put a sincere effort to make Jodha Akbar a huge success. Ashutosh is trying his best to mix all spices in a balanced proportion so as to make an impact on the audience.
ASHUTOSH GOWARIKER, well known for his versatility, is all set to release his much-awaited movie, Jodha Akbar on February 15, which incidentally is his birthday.
After Lagaan and Swades, the actor’s director, who has brought awards and applauds for all his male stars, aims to make a directorial milestone with Jodha Akbar, flaunting the marriage of two different cultures and religions and highlighting efforts of Akbar to strengthen his relations with the Rajputs.
Every element big or small, from the texture of the clothes to the sets, décor, dialogues and the protocol, even the incidental sounds of birds and animals, have been set to perfection, create a virtual impact of the Mughal era. The Dhoom 2 pair of Hrithik and Aishwarya looks gorgeous in royal outfits.
Jodha Akbar may be one of the potential movies for the Oscars. It seems that Ashutosh has been carefully observing the trend of the movies going for the Oscars. While films like Lagaan and Paheli had the cultural touch of India, Rang De Basanti had the spirit of nationalism instilled in it. The movie’s storyline in the trailers depicts both these elements in plenty.
But Ashutosh, who has been acclaimed for his originality, has inspired himself from movies like ‘Troy’ and ‘Lord Of The Rings’, which have been nominated for the Oscars before. The purdah scene between Hrithik and Aishwarya also seem to have been inspired from a short film ‘Migration’, featuring Sameera Reddy and Shiney Ahuja, where Shiney approaches Sameera but she drops a curtain between them.
A scene showcasing Aishwarya lifting her ghunghat looks similar to a scene in Paheli, where Rani flaunts the same look. Even the colour of the outfit is the same. Aishwarya’s red coloured outfit has sharp resemblance to the clothes worn by Rani in the movie.
The movie release, which was scheduled for January 25, has been delayed due to the fact that he has been advised bed rest for 21 days due a severe back problem, which has delayed the finishing of the background score of the movie.
All in all, Ashutosh is trying his best to mix all spices in a balanced proportion so as to make an impact on the audience. But the originality of the storyline, magnetic delivery of dialogues and songs will have to face the litmus test of the choosy spectators and the choosier selection committee for Oscars. His lead actor of Lagaan, Aamir Khan may be his potential competitor for Oscars, as he is really doing well as the director and producer of Taare Zameen Per.
Courtesy: Merinews.com
ASHUTOSH GOWARIKER, well known for his versatility, is all set to release his much-awaited movie, Jodha Akbar on February 15, which incidentally is his birthday.
After Lagaan and Swades, the actor’s director, who has brought awards and applauds for all his male stars, aims to make a directorial milestone with Jodha Akbar, flaunting the marriage of two different cultures and religions and highlighting efforts of Akbar to strengthen his relations with the Rajputs.
Every element big or small, from the texture of the clothes to the sets, décor, dialogues and the protocol, even the incidental sounds of birds and animals, have been set to perfection, create a virtual impact of the Mughal era. The Dhoom 2 pair of Hrithik and Aishwarya looks gorgeous in royal outfits.
Jodha Akbar may be one of the potential movies for the Oscars. It seems that Ashutosh has been carefully observing the trend of the movies going for the Oscars. While films like Lagaan and Paheli had the cultural touch of India, Rang De Basanti had the spirit of nationalism instilled in it. The movie’s storyline in the trailers depicts both these elements in plenty.
But Ashutosh, who has been acclaimed for his originality, has inspired himself from movies like ‘Troy’ and ‘Lord Of The Rings’, which have been nominated for the Oscars before. The purdah scene between Hrithik and Aishwarya also seem to have been inspired from a short film ‘Migration’, featuring Sameera Reddy and Shiney Ahuja, where Shiney approaches Sameera but she drops a curtain between them.
A scene showcasing Aishwarya lifting her ghunghat looks similar to a scene in Paheli, where Rani flaunts the same look. Even the colour of the outfit is the same. Aishwarya’s red coloured outfit has sharp resemblance to the clothes worn by Rani in the movie.
The movie release, which was scheduled for January 25, has been delayed due to the fact that he has been advised bed rest for 21 days due a severe back problem, which has delayed the finishing of the background score of the movie.
All in all, Ashutosh is trying his best to mix all spices in a balanced proportion so as to make an impact on the audience. But the originality of the storyline, magnetic delivery of dialogues and songs will have to face the litmus test of the choosy spectators and the choosier selection committee for Oscars. His lead actor of Lagaan, Aamir Khan may be his potential competitor for Oscars, as he is really doing well as the director and producer of Taare Zameen Per.
Courtesy: Merinews.com
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