Growing demand for Rahman’s tunes

The tunes of AR Rahman has been relished by music lovers from ‘Roja’, ‘Mumbai’, ‘Gentleman’, ‘Donga Donga’, ‘Rangeela’, ‘Indian’, ‘Prema Desam’, ‘Jeans’, ‘Taal’, ‘Sakhiya’, ‘Lagaan’, ‘Amrutha’, ‘Naani’, ‘Jodhaa Akbar’, ‘Yuvraaj’ to ‘Ghajini’ and the endless list goes on..

Rahman’s double Oscar glory is surging in the country and the demand for his albums in the market is now raging high with patrons thronging towards the stores.

Within this past two weeks, the sales have gone up by more than thirty percent. Store dealers have ordered extra copies of the albums ‘Bombay Dreams’, ‘Signature Collections’, ‘Vandematharam’, ‘Live in Dubai’ and ‘Between Heaven and Earth’. 

The signature tune of Airtel is on air all over India depicting Rahman’s stature and sale records are in a never-seen-before consign in the twin cities of Hyderabad and Secunderabad. Along with movie albums, patriotic and international albums are emptying the stocks, as said by retailers.

Courtesy: indiaglitz.com

A.R. Rahman Interview on Yuvvraaj Music

This year has been a treat for A.R.Rahman fans. After a royal, vintage score inJodhaa Akbar you gave us the peppy and zany Jaane Tu...Ya Jaane Na. What do you have in store for your fans withYuvvraaj? 
The music of Yuvvraajis something which we (Mr, Ghai, Gulzaar saab and myself) have all worked very hard on. Since the film itself is a musical, the music plays a very important role. I wouldn't like to say much about what's in store as far as the music goes. I don't even want to say the clichéd stuff that this is completely different from what I have done. All I would like to ask the people is to listen it for themselves and I hope they like it (smiles).
Subhash Ghai's films are known for the music and this one is a musical. You've worked with Mr. Ghai earlier in Taal and then in Kisna. How similar or different has been the experience working with the showman? 
It has always been a pleasure to associate with Subhashji on his projects. Working on the music of Yuvvraaj has been a creative challenge for me, as Subhashji has always been associated with melodious music and has a vast understanding about the subject. As for comparisons with Taal, all I would say is that this is completely different. It's a different story, set in a different place and is also multi-cultural. Taal was more Punjabi-friendly, remix, rhythmic kind of music etc. whereas Yuvvraaj is more about melody and love etc...Yuvvraaj being a musical and a grand film, audio is just 50%. The visuals and the music complement each other.
Did you give him many sleepless nights considering you like to work at night? 
I had a request from Mrs.Ghai asking me not to work very late in the night. So whenever it was 12 at night, I used to tell him, "I am tired. So let's call it a day" (laughs)

The music of Yuvvraaj has a very European kind of a feel with symphony, large scale orchestrations etc. 
Yeah, we've used a Motif from Beethoven's 5th Symphony because the story is set in Austria/ Prague etc. Hence, we wanted that experience and feel to come alive through the music.

After 'Jashn-e-Bahaara', Javed Ali became a household name; after 'Kabhi Kabhi Aditi', Rashid Ali had truly arrived. Do you think it's going to be Benny Dayal this time who has crooned the soulful 'Tu Hi Toh Meri Dost Hai' in Yuvvraaj? 
I hope so (smiles). I really wish Benny has a great future. He is a very hardworking boy. In fact, he has even sung a song for me in Ghajini which I am sure people will like. My best wishes are always with him.
You are known to give new singers a chance be it Naresh Iyer or Rashid Ali or Benny Dayal. How do you find this new and untapped talent every time? 
It just happens. We just check them out and if they are good enough we give them a break (smiles).

They usually say that you reserve the best track for yourself in every album, be it 'Khwaja Mere Khwaja' in Jodhaa Akbar or 'Tu Bole' in Jaane Tu....is it true in the case of Yuvvraaj? 
(smiles) In Yuvvraaj, I have not sung much. I have just sung bits and pieces here and there. Though Mr. Ghai wanted me to sing, I don't think my voice matches Salman Khan's. He has a much deeper voice. If I feel convinced that it's working for the betterment of the film's music I retain it, else I remove it.
How long did it take to compose the music for Yuvvraaj and what was the brief given? 
The initial brief was Mr Ghai always wanted to have a full fledged orchestra kind of a musical score and with Yuvvraaj he has fulfilled his desire. I hope people like it and appreciate it.

Lyrics have been written by Gulzar Saab...How has been the experience working with him? 
I love working with Gulzaar saab. His whole temperament and vast experience is something which I really admire. All the films that I have worked with him have been really enjoyable.
I know one should never ask a music composer to pick his favorite track but nevertheless which track is closest to your heart? 
I like 'Tu Muskura'...it's a really soulful number.

A lot has been said about Katrina playing the cello. Whose idea was it and is it the first time that the cello has been used in a Hindi film?
It was Mr. Ghai's idea. I don't think the cello has been used in any other Hindi film on screen. The sight of a beautiful girl playing an instrument like the cello seems like an overwhelming visual. It's really nice.

Have you used the cello in many songs? 
It's almost interwoven in every song.

Is it true that the sound of the cello is closest to the human voice? 
Yes...provided it's played properly (laughs)

In today's time and age there doesn't seem to be any rivalry among music composers. You have someone like Shankar Mahadevan who every now and then sings for Vishal-Shekhar and even Vishal has sung a lot for Shankar-Ehsaan-Loy. Have you been approached by other music composers to song and will you do that? 
I have been approached. They have been very kind to ask me to lend my voice but I am signed by a company and hence cannot go beyond my contract.

Which soundtracks have you liked in the recent past? 
I've heard a couple of songs of Rock On. I loved the trailer and the whole concept seems really interesting. I want to watch Rock On.
Earlier this year, on your birthday you launched your dream project K M Music Conservatory in Chennai. How is work coming along on that front? 
It has been really good. The first batch of students has already been enrolled and the response has been more than encouraging.
Is it true that you are part of a T.V. show called The Big Band? Could you take us through that? 
The Big Band is a search for the best band. I liked the concept when Phat Phish came and narrated the idea to me. We are looking at exploring talent not just across India but also from neighboring countries such as Pakistan, Bangladesh, Sri Lanka, Malaysia etc. It will also facilitate in some sort of a cultural exchange between our musicians and their musicians. I am really excited about being part of the show. 
Finally, what's next in line after Yuvvraaj? 
After Yuvvraaj, there is the Aamir Khan starrer Ghajini. I am also doing the music for Shree Ashtavinayak Cine Vision Ltd.'s multi-starrer Blue. There is also Danny Boyle'sSlumdog Millionaire, the music of which is already done. So there's a lot to look forward too.


Courtesy: uaedailynews.com

Rahman's YUVVRAAJ sounds like a winner

If initial sound of YUVVRAAJ is any indication, Subhash Ghai, A.R. Rahman and Gulzar have a winner in hands. The teasers of this yet another magnum opus from Ghai are out and so far, reactions from all around have been positive all the way.

Though one is yet to hear the words in the song, just the sound of piano playing in the background with some well etched frames featuring the quartet of Anil Kapoor, Salman Khan, Katrina Kaif and Zayeed Khan are collectively good enough to promise a lot in the offering. Add to that a lavish look of the film and one can almost sense a TAAL round the corner.

Years back Ghai and Rahman had created magic with TAAL which finds itself amongst one of the all time great soundtracks. Though Rahman (along with Ismail Darbar) did come up with a very good soundtrack in KISNA as well, it went largely unnoticed. Now with YUVVRAAJ, Ghai is back with Rahman and one expects nothing but magic from the showman and the maestro!

Stay tuned as the film's audio is expected to arrive around the middle of October.

Courtesy: glamsham.com

T-series to release Yuvraaj music on October 1

Super Cassettes Industries Ltd. (T-Series) will release the music of Subhash Ghai Film Yuvraaj on October 1.

"It is a pleasure for us to make the announcement of the release date of the music," said a T Series spokesperson. "We are proud of our association with Showman Subhash Ghai for all Mukta Arts ventures. Since October 1 is an auspicious day, we decided to go in for the release on that day."

Yuvraaj is produced and directed by Subhash Ghai, starring Salman Khan, Anil Kapoor, Mithun Chakraborty, Katrina Kaif, Zayed Khan and Jawed Sheikh. A R Rahman has teamed with Gulzar Saab for the Music of the film. The film is Subhash Ghai's next much-awaited musical after the stupendous success of Taal in 1999.

Courtesy: indiaglitz.com

‘Talent is not age-dependent’

Living in London, did you get to estimate how much of a rage Kabhi Kabhi Aditi from Jaane Tu Ya Jaane Na would turn out to be?
Although I’m based in London, I travel a lot to India and have many contacts there. And in today’s time of Internet boom, topographical difference can hardly be a dampener. Besides, there are many satellite Asian channels, which play Bollywood music. And Aditi is not the only song that I had sung in the film, there’s also Kahin to. Earlier too, I had sung a number, Ishq Ada Hai in the film, Ada. So, it’s not that I’m clueless about how my songs are doing. I also made it a point to catch the flick.


What was the response to your first playback, Ishq Ada Hai?
Ishq Ada Hai was recorded seven years back as AR was looking for a singer who could sing in a
totally different style. In addition, AR essentially wanted an acoustic and organic feel to the song. He asked me to play some guitar and I started experimenting with what became the intro. He wanted an intense effect to the voice and suggested that style. I was glad that song was chosen for the promo of the film and found its way to the top five in many charts. I’m pleased that both this song and Kabhi Kabhi Aditi were the first songs on each of the respective albums.

Was a career in music a natural choice, since your mother carved a niché for herself in the world of classical music?
My mother was a ghazal singer but she would regularly perform lighter music. She successfully recorded some albums in UK, one of which featured Ustad Ghulam Mustafa’s compositions. As far as I’m concerned, I broadened my outlook in music having adapted to many genres in Western, Asian and World music. Thankfully, I’ve also gained a lot of experience in studio work as well as by performing live with many musicians — playing Jazz gigs to Arabic music. Having recognized my ethnicity, I also listened to many Indian artistes whilst growing up.

You had worked with Rahman on the Bombay Dreams project and had been part of the troupe for a while as a guitarist, before this big break. How did the two of you come together?
I met AR at a concert in UK, seven years ago. The initial conversation was completely about my mother, Farida Ali’s connection with Ustad Ghulam Mustafa Khan, since he had worked on her ghazal album in UK and also about my love for Jazz music.

You started off as a guitarist and then emerged as a singer...
From the beginning, AR knew I was also a singer. It just took time for tracks like Ishq Ada Hai to surface. India is looking for new sounds and styles — now is a good time to be in Bollywood.

When you chatted Rahman up, were you aware of his iconic status?
At that point of time, I did not know too much about AR’s projects, other than the fact that he had given music for Bombay, Rangeela and Taal.

You are 42 and yet sound like a 20-something in Aditi. Has age got nothing to do with how one sounds?
Talent is not age-dependent. I do naturally have a young voice, since I do look after my voice and myself.

Having given a smash hit, would you now like to pursue Bollywood seriously?
Since I am a singer, I feel that I would like to pursue any projects, which will highlight my abilities. Bollywood is an important part in the spectrum of entertainment. Besides this, I hope to further showcase myself as a guitarist and composer.

What’s keeping you busy at the moment?
Right now, I am working on my own album which will be produced by AR Rahman’s own music label. I am the first one to be signed on by him. I want India to discover not just Rashid Ali’s voice but also what his own music and guitar playing is about. There’s no denying one thing — Rashid Ali is here to stay.

Courtesy: timesofindia.com

Rahman's next album after 'Vande Mataram'

Way back in the late 90s, A.R. Rahman's audio album for Sony, 'Vande Mataram', rocked the nation. In fact, it rekindled the patriotic spirit of 'Vande Mataram' through its contemporary sounds and classy arrangements. The album also marked the first and sadly the last union of two maestros. Obviously we are referring to the man himself, A.R.Rahman and the late Nusrat Fateh Ali Khan, the legendary sufi qawwali singer, whose replacement has still not been found in the music world.

Coming back to our headlines, especially for those music lovers who are wondering as to when the composer of works like ROJA, DIL SE, TAAL, LAGAAN........to the recent JODHAA AKBAR, will come up with another album, after the stupendous success of 'Vande Mataram'. Well, the long wait is more or less over and the good news is that music wizard A.R.Rahman is busy working on his next album. As per very reliable sources, almost a decade after 'Vande Mataram' , Rahman's next album should be out later this year, more details of which are expected soon.

Courtesy: glamsham.com

I have started my own label: A.R. Rahman

From Roja, Bombay, Dil Se, Lagaan and Taal to Rang De Basanti, Guru and the recent release Jodha Akbar- A.R. Rahman has redefined Bollywood film music with his unique panache. TWF correspondent Sreya Basu catches up with the man with the musical Midas touch during his breezy trip to Kolkata.

What brings you to Kolkata this time?
I am here to shoot the season finale of Airtel Bandwagon, a television reality show to provide a platform to new music bands. We shot at the Technicians Studio in Tollygunge.

Why is that Kolkatans don't see much of Rahman in the city?
It's true that I don't frequent Kolkata unlike Chennai, or in that case, Mumbai, but this city will always have a special place in my heart and career. After all, it was in Kolkata that I staged my first concert in the country way back in February, 2003.

We heard that you are going to open a music conservatory?
Yes. It will be opened in Chennai in June this year. It is my dream project and is going to be the first music conservatory of India for training our musicians in western classical music. The first branch of the conservatory will be opened in Kolkata.

When is that going to happen?
See, this kind of project requires a lot of planning and time. It took us years to come up with the one at Chennai. I guess we will have to wait for another couple of years for the next one.

What about a concert in Kolkata?
I am planning to stage a larger-than-life concert here by the end of this year. Right now I am working on my new album. It is almost 10 years since I have come up with anything new- after the release of my last album Vande Mataram.

What is your take on the music scene in Kolkata?
Well, the city breathes refreshing music. Why only Kolkata, the traditional and folk music of Bengal is a pool of inspiration. I even included baul music in the Hindi film Mangal Pandey. I would love to explore the new talents and music of Bengal. Pandit Ajay Chakraborty and Ustad Rashid Khan are among my favourites.

Your music for the play The Lord Of the Rings staged at Theatre Royal Drury Lane in London has turned into a phenomenal success. Do you plan a similar play in India as well?
If I plan a musical play in India that has to be superior than Bombay Dreams and The Lord of the Rings. Outside India people literally travel across cities and even countries to watch a play.

People from France and Germany booked their tickets in advance for The Lord of the Rings. India is strongly possessive about her tradition and genre of theatre and music.

If only we manage to break off this shell that we too will be in a position to experiment a little with Indian theatre, especially when today there is no dearth of sponsors here.

You started with Tamil films, then Hindi, and now composing music for Broadway and West End as well. What's next in line?
I have started my own label. That means I have the freedom to experiment and do whatever I want to do with and for music. I would like to exploit this opportunity thoroughly.

Courtesy: santabanta.com

Subhash Ghai's YUVRAAJ has the best crew

YUVRAAJ is undoubtedly one of the most keenly awaited movies of the year. To make sure that he makes the film a no-compromise affair, Subhash Ghai has ensured that the film has the best crew in place to take care of overall production of the film.

Let's talk about music first. When A R Rahman and Gulzaar saab come together, one can't think of a better combination. It is this combination which sets the platform for YUVRAAJ, a musical featuring a formidable cast that includes Salman Khan, Anil Kapoor, Katrina Kaif, Zayed Khan and Boman Irani. Shiamak Davar, the man who choreographed Ghai's TAAL as well, is expected to go all out in giving YUVRAAJ an opulent treatment.


Kabir Lal has lighted up the frames in a way only he can in films like PARDES, TAAL, KAHO NAA PYAAR HAI and THE HERO to name a few. The cinematographer is expected to deliver quality work with YUVRAAJ as well where the bare minimum requirement is to make everything look rich and glossy.

Last but not the least, with someone like Omang Kumar who has a classic like BLACK behind him to showcase his skills as an art director, YUVRAAJ looks all set to be on a right track.

Courtesy: Glamsham.com

A.R.Murugadoss & Aamir Khan break Indian record

A.R.Murugadoss and Aamir Khan have managed to pull off a national level record for the highest distribution rights paid for a single movie yet! Yes, you heard it right: their Hindi Ghajini has garnered a whooping 90 crores in distribution price for its producers Madhu Verma and Allu Arivind.

The Indian Film Company (IFC) has paid 53 crores to the producers of the movie for the domestic distribution rights. IFC had earlier distributed Jab We Met and Welcome, both of which have been profitable ventures. Overseas, satellite, online and home video rights collected another 40 crores.

This is quite a remarkable achievement considering the fact that not a single official still has been released about the movie yet.

The movie is obviously heavy weight with Aamir fresh off his Taare Zameen Par success, A.R.Rahman as the music director (the inside story is that the director has composed some mind blowing music for the movie), Ravi K Chandran in charge of camera, and Murugadoss, one of the most commercially successful directors of the south at the helm. Asin plays the lead lady of Aamir, supported by Jiah Khan

Ghajini has managed to break the record set by Om Shanthi Om, which had collected 73 crores for its distribution rights.

Now for the really interesting side of all this: Aamir is not just looking to take away Shahrukh's record on the finance-side, but also on the physical side. He is gearing up to flaunt a six pack ala Shahrukh Khan. The actor is on a strict exercise regimen, building up muscles and pumping some iron.

Call it professional rivalry at its peak!

Courtesy: Behindwoods.com

'Jodhaa Akbar is the story of married love'

It's not every day that you get to work in a film like Jodhaa Akbar, says Aishwarya Rai.

A well-written part, which is very feminine and delicate, and a director (Ashutosh Gowarikar) with focus and clarity do not often come together, she tells Arthur J Pais, in an exclusive interview.

Ash plays a Rajput princess in the film, who becomes a reluctant bride to the Mughal king Akbar when she discovers that the marriage is a political move.



Read on as the 34-year old discusses her joy in working with co-star Hrithik Roshan, her admiration for Gowarikar and music composer A R Rahman, and what she expects from Robot, a sci-film she has just signed with Tamil superstar Rajnikanth.

What attracted you to Jodhaa Akbar?

When I heard that I could be playing Jodha, I was immediately intrigued. And anything that Ashutosh Gowarikar offers has to be substantial. The subject also intrigued me.

As I was going through the script, it became clear that the film is about a love story that has not been told before. In other films dealing with the Mughals, the relationship between Akbar and Jodha was taken for granted.

How is the love story of Jodha and Akbar different from the standard love stories?

This is the story of married love. It is pure and innocent. It is the discovery of true love only after marriage. Their love for each other grows despite some initial complications and political adversities. And the way Ashutosh Gowarikar has narrated it is both engaging and thrilling.

Were you worried about the film being a historical? Some people in the film industry may worry that a historical film may not be able to draw a large number of viewers?

I knew from the start that Jodhaa Akbar was not going to offer history lessons. I had watched Ashutosh's films, and wondered if we would work together some day. I trust him completely. I knew he was making a historical but history is just a background for an intriguing love story between two powerful people. I also thought the film has a contemporary edge to it.

What is contemporary about it?

The film is about the courageous decision a Rajput princess makes in marrying the enemy of her people. It needed incredible strength and courage for Jodha to make the decision in the interest of her people. Later, she worked very hard to make sure the relationship succeeded.

In India, despite the concept of love marriages we have in urban centres, arranged marriages take place everyday. I would think 90 percent of all marriages in India are arranged in one way or the other. My parents and my brother also had arranged marriages. Many of these people have to work hard and use their emotional resources to make their marriages work.

You look at Jodha and Akbar in the film and start thinking: they came together not under the happiest circumstances and yet, their marriage worked.

The film offers insights into relationships that are relevant today. Jodha and Akbar took great risks in their relationship. This film shows what might have gone in their minds and how they might have negotiated their life's journey.

This is your second film with Hrithik Roshan after the superhit, Dhoom: 2.

We have a similar approach towards acting and we enjoy diverse kind of films. We became good friends while working on Dhoom: 2.

We're fortunate to be working together in two films that are at the two ends of the spectrum. While Dhoom: 2 was an outrageous entertainment, Jodhaa Akbar explores an intense relationship between two dynamic people.

Gowarikar says seeing your work in the film makes him feel you are Jodha personified.

When a director says something like that, it goes to show his sensitivity and appreciation.

I have worked with some of the most seasoned filmmakers (including Sanjay Leela Bhansali in Hum Dil De Chuke Sanam and Devdas, Subash Ghai in Taal). But working with Gowarikar was quite an experience.

The script is detailed and focused. He has immense clarity and knows precisely where the film is going. He is very generous with the artists. He gets the best out of you.

More than anything else, I have come to respect him as a human being. I have watched him deal with everyone, from junior artists to stars with respect and consideration. The film required a lot of stamina and there were long spells of shooting. But because of Gowarikar's nature and Hrithik's presence, one never felt the stress.

This is one of the more complex roles you have taken up in your career. Did you wonder if you could do full justice to it?

I never approach a film with fear, rather I do it with excitement. That has been my work philosophy right from the start.

I was always there for a director, no matter how big or small the film. In the case of Jodhaa Akbar, I felt excited the moment Gowarikar mentioned the project. I knew immediately I was doing something extraordinary.

What is it like working in a film that had music by A R Rahman?

Like many of his films, the music in Jodhaa Akbar will take some time getting used to. But once it gets into your heart and soul, you won't be able to get it out. The way Gowarikar has used Rahman's music in Jodhaa Akbar will make you want to listen to it as soon as the film is over.

I have worked in many films where Rahman has done the music, starting from my very first film, Iruvar, which Mani Sir (Ratnam) directed over a decade ago.

Then, there was the song Barso Re in Guru which was picturised on me. Originally, Rahman had composed a nice tune which was supposed to be picturised on me riding a bicycle. But I fell off the bike and hurt myself. So a new situation for the song had to be created and Rahman came up with Barso Re.

Any new projects?

I'm doing Robot in Tamil with Rajni Sir (Rajnikanth), which I guess will be dubbed in many languages including Hindi and Telugu. Rahman will be composing the music for Robot.

I would also be working with director Shankar Sir again, after Jeans.

Courtesy: Rediff.com

A.R. Rahman acquires land for his dream project

Music maestro A.R. Rahman is ready to build a music conservatory in Chennai for young talents who want to learn Western classical music. He has already acquired land for it.

"It's near the Chennai airport. And we plan to start work on it very soon," Rahman told IANS. He says starting a music conservatory is a dream he has nurtured for years.


"I feel young talented musicians in our country, specially those who want to learn Western classical music, have nowhere seriously creative to go. We need to cultivate a taste for Western symphonic music so that an average musically-inclined young musician would be as enthused about learning the violin as the star," said Rahman.

The land purchase puts Rahman's dream plan into third gear.

"We'll soon be working round-the-clock. I want it to be one of the best music schools in our country."

Speaking on his latest music soundtrack in Hindi, Rahman said: "I wouldn't even want to compare my output in 'Jodhaa Akbar' with what Ashutosh Gowariker and I did in 'Lagaan' or 'Swades'.

"Or, for that matter, what Rakeysh (Omprakash Mehra) and I did in 'Rang De Basanti' (RDB). We've done what we liked without thinking of the outcome. You've to go by your instincts in every form of art. I've never intentionally tried to break the mould. I've tried to do what's right."

Two of his old scores are also ready for release.

"Two years back Abbas Tyrewallah's 'Jaane Tu Jaane Na' and 'Adaa' by Tanvir Ahmed were recorded. These will come in the next two months."

And, of course, there's Subhash Ghai's magnum opus "Yuvraj". "It's got Western classical vibes, but the sound is very Indian, very mellow."

He says his music in Ghai's "Taal" helped him earn Punjabi fans.

"I think 'Taal' took me to the Hindi-belt masses. I ceased to be different. Before that I was seen as this oddity from Chennai. Of course, 'Rangeela' got its own glory. But 'Taal' is the one that created a hardcore Punjabi audience for me."

He also has Mehra's "Dilli 6" coming up. "It's turned out very well. Who can say how it will be accepted? Did anyone expect RDB to become so big? Even a small idea can change the world.

"When I came into Hindi cinema with 'Roja', the whole road was empty. A lot of people are still doing good work, but not consistently. Good work can be done even on YouTube on the net. So let's not blame the lack of opportunities for the inconsistent musical output.

"Some of the stuff is undoubtedly good. You can't just write everything off. But I feel the whole idea of pop art has to change.

"Malayalam director Adoor Gopalakrishnan says TV has corrupted popular tastes. I'd have to agree with that. I feel the film medium deserves much better. Even I get pulled into projects which are not right."

Ask Rahman whom he considers a path-breaker after himself and he quips: "Why do we need a path-breaker? One never intends to be a path-breaker. If it happened I'm fortunate.

"Right now we need more experimental melodies in film music. The problem is that the minute you start composing a soundtrack, you're thinking you'll do what sells in the charts. Your intention becomes diluted. It's more about marketing than creativity.

"Which songs should go on the shelf, which should go into the pubs - these questions should come after you create the music. And there's a diminishing respect for creative people. Stars get all the respect because they bring in the audience. But what about other creative people?"

But Rahman is hopeful. "It will all taper off. We'll have more talent coming in."

Courtesy: Nowrunning.com

Rahman teams up with Ghai again

Ace music composer AR Rahman and renowned filmmaker Subhash Ghai created a masterpiece when they teamed up to create the music of ‘ Taal ’. May be that’s the reason why Ghai chose to invite Rahman to launch the music of his forthcoming film, ‘ Black and White ’ in Mumbai. Rahman being Ghai’s lucky mascot, only time will tell if his presence will add to the magic of Ghai’s trademark soulful music...

“I have introduced so many actresses in my films. This time around I am launching an actor. Anubhav Sinha, a talented youngster who won a TV reality show which was a hunt for budding actors, will be seen in my film. I have cast him with Anil Kapoor. Black and White is a low budget film but directed by me with absolute passion and honesty”, said the director.

“As far as the music is concerned, to bring out the colourful music in the framework of ‘ Black and White ’ has been a big test for me this time. But the in-depth melodies composed by Sukhwinder and lyrics by Ibrahim Ashq shall meet the expectations of music lovers and my fans I am sure. You need to listen carefully to the music of Black and White to feel it. It’s like ecstasy! It grows on you”, added the filmmaker about the music.

Knowing his keen sense of music and the chartbusters that his films have given, we are waiting with baited breath to listen to the music of Black and White .

Courtesy: Indiatimes.com

Top-10 anticipated soundtracks of 2008

Something about the two we need to know....
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Ghajini Remake (A.R. Rahman)

Ok, so no one knows till date about the eventual title of this film which is so far being referred to as 'Ghajini remake'. But naam mein kya rakha hai? Especially, when the project brings together professionals like Aamir Khan and A.R. Rahman. The original Tamil film 'Ghajini' had chartbuster tracks by Harris Jayaraj (who till date is known for his excellent score in Rehnaa Hai Terre Dil Mein.) Though Rahman has stepped in for the Hindi version, no one has doubts around the eventual product that would be up for grabs this year.
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Yuvraaj (A.R. Rahman)

Mention of Yuvraaj may be coming at the very end due to alphabetical ordering but it sits right up there if one looks at anticipation quotient! Subhash Ghai and Rahman coming together is big enough news, especially since it will be after 9 long years that the two would be coming together after Taal (Kisna had Ismail Darbar sharing credits with Rahman). With the film's subject being musical, Gulzar saab writing lyrics, Shiamak Davar as the choreographer and actors like Salman Khan, Anil Kapoor and Katrina Kaif coming together, Yuvraaj is going to be magnum opus of 2008!
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Courtesy: Indiafm.com

A R Rahman's 10 best compositions

Recently, A R Rahman was asked, by The Hindustan Times, to shortlist his 10 best compositions. These are the films he chose:

Roja

The film starring Arvind Ramaswamy and Madhu made Rahman the darling of Bollywood. He was already a star in South India, but Roja marked his debut and led to a long-lasting impact on the Hindi film industry.


Rangeela

Urmila Matondkar redefined fashion for heroines with her gorgeous costumes in Rangeela. Aamir Khan was at his best, and Rahman's music was outstanding. Unfortunately, the film lost most awards that year to Dilwale Dulhaniya Le Jayenge.


Bombay

Mani Ratnam and Rahman paired up once again after Roja. Unfortunately, this film was mired in controversy as it explored the relationship between a Hindu boy and Muslim girl. Sonali Bendre, despite her brief appearance, will always be remembered for her Humma Humma.

Dil Se

Lyricist Gulzar and Rahman teamed up for this, one of the best albums of the 90s. The train song, Chhaiya Chhaiya, rendered by Sukhwinder, established him as a singer overnight. Unfortunately, the film was a disaster at the box office despite the music and Shah Rukh Khan playing the lead role.

Taal

It was an association between a Bollywood showman and the Mozart of the East. Subhash Ghai was riding high on the success of Pardes and paired up with Rahman instead of Nadeem-Shravan, who had composed songs for the earlier hit. The songs were huge, but the film did average business.

Kandukonden Kandukonden

It was a marriage between Bollywood heroines and Kollywood. The film had Aishwarya Rai, Tabu, Ajith and Mammooty. It was directed by Rajiv Menon and the songs were outstanding.

Zubeidaa

Directed by Shyam Benegal, this film yielded actress Karishma Kapoor's best performance to date. It was soon forgotten by audiences, but the songs continue to mesmerise.

Lagaan

The only Indian film to be nominated for a Best Foreign Film Oscar in recent memory. Lyricist Javed Akhtar and Rahman gave it their best.

Rang De Basanti

Only a genius like Rahman, coming from Chennai, can make singer Daler Mehendi sound the way he did in Rang De Basanti. A slow track from Lata Mangeshkar, Lukka Chuppi Bahut Hui, was also soothing.

Guru

In November 2006, when Aishwarya did Umrao Jaan with Abhishek Bachchan, there was no obvious chemistry between them. Three months later, when Guru was released, the couple performed a miracle at the box office. Guru became the first big hit of 2007, and the song Tere Bina sung by Rahman went on and on during the Abhi-Ash wedding.

14 years after Roja, Rahman proved once again there was no one quite like him.

Courtesy: Rediff.com

I have no differences with Aamir Khan: AR Rehman

AR Rahman made an impact with his debut in 1992, although not many believed he would be around for too long. Today, he has become the heartbeat of the nation. He chats about his past, present and future.
Q. What is it about the music industry that makes you angry?
A. I have stopped getting angry. There is no point blaming others. I believe in being the change, not the observer. One person can inspire others, just like one candle can light a million candles. Just be true to yourself. The Internet helps people to focus on their objectives, and to consolidate elements to make a difference.
Q. The Internet is a boon and a bane, what with free downloads.
A. The Internet is like your mind. It can be filled with either good thoughts, or bad thoughts, or both. The Internet is a personal thing.

Q. How do you strike a balance between South Indian films and Bollywood, when it comes to your work?
A. It is terrifying, trying to maintain in both. I am working in a team, the director helps. If I were to work alone, then it would have been difficult.
Q. Do you still work at night?
A. Not anymore, no.
Q. What are your forthcoming Tamil releases?
A. There is one film named 'Sakarkatti', and an animated film named 'Sultan' that Rajnikanth's daughter, Saundarya, is making.
Q. It must be more difficult to compose music for an animation film.
A. Not really. It is the same thing, in fact, you can use your imagination more freely.
Q. Now that you have Hollywood films, have Tamil and Hindi films taken a back seat?
A. In a way, yes. I used to do six to seven Tamil movies, and three to four Hindi films, annually. I have reduced my work by half, and am taking things easier. There is much less stress.
Q. The dubbed version of 'Sivaji' will have Hindi songs with Tamil tunes.
A. Yes, because the Tamil culture should be obvious. We are not trying to set it in a North Indian environment. It is dubbed only so that people can understand.
Q. What are the other releases that you are looking forward to?
A. The album, 'The Lord of the Rings'. It is releasing on December 10, and it is going to be a huge event.
Q. Whom do you like better, Rahman the music director, or Rahman, the singer?
A. That is a difficult question. If you like yourself too much, then you get into trouble, and if you don't, then you get into trouble anyway. So, I am critical.
Q. How do you prevent yourself from getting too complacent?
A. I have always been clear about one thing – I am just an instrument, and God controls me. If I am lazy, just sitting in one place, then I am like a battery that has not been charged. There has to be excitement, which is why I take up projects that are exciting.
Q. How do you deal with critics?
A. The Internet has helped a lot – we can check blogs, and see what people have written, what the negatives and positives are. When we make a film with a big star, we have to make sure the music is in his favour. We cannot then experiment.
Q. How do you adjust to the different environments that you work in?
A. When you are an adult, you speak in varied tones to your child, wife, or intellectual. You become a different person within each situation. That is a simple analogy for the way I work.
Q. Tell us about 'The Lord of the Rings'.
A. It is probably one of the most complex projects that I have been involved in. It is good composition. The whole team was in Chennai recently to complete the mixing. It has more than 15 tracks.
Q. There are rumours of differences between Aamir Khan and you.
A. Just because I am not composing his next film does not mean we have fallen out.
Q. The music of 'Elizabeth – The Golden Age' seems deliberately loud.
A. When we began, the music sounded very arty, and I felt that the film would drag if we continued with the same music. The film itself is artistic, so the pulsating, throbbing music is in contrast to the feel of the music. It was a creative decision to make the film enjoyable.
Q. What are your other forthcoming films, besides 'Ghajini'?
A. There are a few – 'Jane Tu Jane Na', 'Jodha Akbar', 'Yuvraj', 'Aadab', 'Dilli 6', and the Hindi version of 'Sivaji'.
Q. What are your favourite top 10 projects?
A. Very difficult to choose, when it is your own work, but here goes – 'Roza', 'Bombay', 'Taal', 'Lagaan', 'Zubeida', 'Rang De Basanti', 'Dil Se', and 'Rangeela'

Courtesy:Santabanta.com