Sivaji - Rahman delivers, big time

People talk of the pressure of expectations on Sachin Tendulkar whenever he steps out to bat in Indian colours. But spare a thought for A R Rahman too. The Mozart of Madras is in no less unenviable position. Every time a film’s audio for which he has scored music is out, the whole world sits up to listen. And for Sivaji, the pressure is three-fold, as he has to satisfy his own fans, that of Rajinikanth and Shankar too. In such a situation, when you have constituencies to live up to, the music inevitably is populist. In Sivaji, Rahman’s music works at two levels — as he shows glimpses of his own splendid arrangement-orchestration skills. The second is in smart packaging in an effort to live up to the myriad demands of diverse sections. The seven tracks in the album don’t fit in a particular genre. And that is to be expected. Some of them appeal instantaneously. And some, like many Rahman numbers, take time to settle down. Mass elements are inevitably there. It is to Rahman’s credit (and genius) that he has managed to incorporate melody within the ambit of rhythm-based numbers. Balelakka: SPB, Raihanah, Benny & Chorus Lyrics: Na. Muthukumar A Rajini introduction song is a non-negotiable instrument of sorts. It has to have SPB belting it out with his unmistakable gusto. It has to have some pulsating beats. It must make you snap the fingers and tap the foot. This song makes you do all that and plus some more. SPB is amazing with his breath-controlled rendering. This man never ceases to amaze us. He might be over 60. But who would say that after listening to this number. The interludes and the rhythms give an extra pep to the proceedings. Raihanah (Rahman’s sister) and Benny also chip in with their best. Muthukumar’s lyrics set out in typical fashion. Style: Rags, Tanvi, Suresh Peters, Blaaze Lyrics: Pa Vijay The song works in many ways as it has a variegated pattern to it. As the initial words suggest, the song talks of style, which is the essence of Rajini. But Rahman, as he is wont to, has worked the tune in a slightly recondite way, in that it moves around an attractively bewildering manner. You have Blaaze letting out his typical staccato rap bits while Suresh Peters bungs in his anglicized rendering. And suddenly, almost catching you unawares, you have Tanvi chipping in with a beautiful morsel in traditional Tamil. Though the song is multi-dimensional, it works, especially with its surprise swerves and Rahman’s mastery over arrangements. Style is in Rajini and Rahman too. Vaaji Vaaji: Hariharan, Madhushree & Chorus. Lyrics: Vairamuthu Perhaps this will be the anthem of the State for some time to come. Musically, the song may have nothing new. But Rahman’s genius lies in packaging. Building layer by layer, he lets the song rise up like a beautifully created skyscraper that is high on both aesthetics and utility. Rahman has made Hariharan croon in a un-Hariharan-like manner. Perhaps that maybe the trick that makes the song work and makes Vairamuthu’s lyrics stand out in beautiful relief. Madhushree is adequate without being anything extraordinary. The tempo and the beats make this a good mass song. Athiradee: AR Rahman, Sayanora Lyrics: Vaali This is straight away Rahman turf. The man knows which song to pick and sing. His nasal twang may not appeal the first time. But they just take control of you over a period of time. Athiradee does. The lyrics are unabashedly Vaali as he plays to the gallery big time. But his smart mind chisels out interesting lines. Vaali deserves special plaudits for his ability to think in sync with the modern generation. The rollicking beats and the guitar ensemble give a good edifice for the song as Rahman gives it all he has. As a singer, Rahman has also improvised, and innovated, with his voice. The effect is ethereal. The song takes time to take effect on you, but once it does it doesn’t vanish. That’s Rahman effect for you. A high-octane song. Sahana: Udit Narayanan, Chinmayee Lyrics: Vairamuthu When it comes to Tamil words, Udit Narayanan’s tongue becomes a knife of sorts as they (words) are chopped mercilessly. But here you will almost forget that failing as the song and its inherent melody fill you in a cool embrace. Chinmayee is Rahman’s big weapon. He uses her for songs that deserve something special. Right from Kannathil Muthamittal we have been seeing that. Here too the young girl sings with a rare elan which comes from the combination of talent and intelligence. Chimayee’s speciality is that she is no one-type singer. She can deliver according to the needs. The Rahman interlude (in voice) adds a special mystique appeal to the number. A honey-dipped flower. That is this song for you. The Boss: Blaaze, Naresh Iyer, Raqueeb Alam Lyrics: Na.Muthukumar, Blaaze Probably the theme number. Or a kind of leitmotif in the movie. The song has its limitations as it is perhaps situational. The lyrics too are puerile as the words are forced and stretch for effect. The rap bit is on expected lines. Naresh Iyer dulcet voice manages to leave a mark even in this small piece. Sahara: Vijay Yesudas, Gomathi Sree & Chorus Lyrics: Vairamuthu This seems to be a modulated version of the Sahana song. But what a beauty it is. Rahman’s mastery is all pervading. He has fused a variety of ideas into this one number and his unquestionable brilliance with soft instruments show up elegantly. The way he has got Gomathi Sree slip in that Thirupavai bit underscores his virtuosity. And she also rises to the occasion quite brilliantly. But the song-stealer is Vijay Yesudas. The young man shows that he is well and truly on the way to filling the perch that once belonged to his illustrious dad. Vijay is very soothing and pleasing in this number. When he and a tiny flute join forces, you could almost feel heaven A fitting finale to a rocking album. To be sure, there will be different opinions on the songs. There will be carping critics who will pronounce that the album doesn’t measure to usual Rahman standards. But you have to take into consideration the situation that Rahman was working under. All things considered, you can unequivocally say that Rahman has delivered. Sivaji songs will be heard for a long, long time. Courtesy: Indiaglitz.com

AR Rahman pleases Rajni fans with Sivaji

	Finally, the most-awaited Sivaji album has been released. The film Sivaji -- The Boss has the biggest Tamil cinema stalwarts lined up under highly reputed AVM banner -- director Shankar; composer A R Rahman; lyricists Valee, Vairamuthu, Pa Vijay, Muthukumar; cinematographer K V Anand; dialogue writer Sujatha; art director Thotta Tharani; choreographers Prabhudeva, Raju Sundaram, Lawrence and Brinda; and, over and above all, superstar Rajnikanth in the title role. Shriya Saran plays the female lead. Incidentally, Sivaji is director Shankar's ninth film, and Rajni's ninth with AVM. The title of the film resonates with Rajnikanth's real name, Shivaji Rao Gaekwad. Previously director Shankar always managed to keep movie details close to his chest till the release. But Sivaji became an exception with first the storyline becoming common knowledge, and then three music tracks leaked on the Internet. Shankar's films always deal with malpractices in various sectors of society. Likewise, Sivaji also is supposed to be the story of an NRI crusading against the capitation fee syndrome, the bane of our educational system. A R Rahman's compositions are in tune with the crusader image of the film's protagonist. The lyricists have milked Rajnikanth's screen image to the fullest, making the line dividing the actor and the character very thin. They are really on an overkill trip. The album kicks off with the foot tapping number Balleilakka aggressively rendered by S P Balasubramaniam, Rehanah Benny and an effective chorus. The opening line has a faint echo of Rahman's Veerapandi kottayilae from his own Thiruda Thiruda. Lyricist Na Muthukumar eulogises Tamil Nadu and the Tamilian's supportive camaraderie with his neighbours. He also paints a larger than life picture of the hero comparing him to the sun, moon and even Shiva the destroyer, with lines like 'he can even turn Tamil Nadu into America.' SPB's rendition is vibrant and the fast pace towards the end makes him sound breathless. The number has aggressive percussion and faint melodious nuances in between. The racy track Oru koodal sunlight follows with obvious reference to the superstar's sobriquet 'Stylemannan.' It is a scrappy number with Pa Vijay's lyrics, a medley of bits and pieces of phrases. He even coins new appellations for the hero like 'heerathihero!' Rags, Tanvi, Suresh Peters and Blaze belt out this peppy piece. Fast beats and Tanvi's whispery rendition give it a sensuous touch. Sahana saral thoovutho is a melodious piece with western instrumentation. This is the only track (along with the Vaji vaji number later) with significant lyrics. Vairamuthu's lyrics have an appealing freshness and originality. This track, a love duet rendered by Udit Narayan and the dulcet-voiced Chinmayi, has been embellished with a sprightly chorus. The only jarring note is Narayan's stilted Tamil diction. A second version of Sahana, much better than the first, soulfully rendered by Vijay Jesudas, comes later. Gomathi Sri replaces Chinmayi in this version full of pain and pathos. It is a pity this second version is not included in the cassette, but only on the CD. Gomathi Sri's voice, though a bit babyish, has an identity of its own. Vaji Vaji is the title track, with all the potential to become a chartbuster -- pleasing rhythm and a powerful rendition by Hariharan and Madhusree, good instrumentation, fast beats, lively chorus, and a good melody. Vairamuthu's lyrics exude passion, but thankfully not excessively. Up next is the theme song Vata vata by Blaze, Naresh Iyer and Raqueeb Alam. Beginning in hip-hop style with a few English words thrown in, the track soon slides into rap. As in earlier numbers, the lyrics (Na Muthukumar with Blaze) picturise a superhero 'who can gobble up even a lion like a jalebi!' Rahman the composer as singer comes into his element with concluding track Athiradi. Another chartbuster in the making, it is incendiary stuff with power-packed percussion. The solo guitar and Rahman's singing -- with a manic vibrancy in his soaring voice -- really adds to its impact. This will be a hot favourite on the dance floors. The lyrics are more or less irrelevant in these kind of songs, and Valee's lyrics -- with titles of some Rajni films and a spatter of English words -- fall in line. Rajni fans will have a field day listening to this album because the lyrics are more synonymous with his film persona than his character in the film.. Rahman's music is such that it takes repeated listens, and time to grow on you. Only Athiradi captures your sensibility instantly. The other numbers are worth a listen, but feature nothing extraordinary. They make you yearn for the old Rahman of Gentleman and Roja. An album in tune with the pulse of the current generation. Rediff Rating: Courtesy: Rediff.com

Sivaji the Boss audio creates record in sales!!

Friends,

Sivaji audio is rocking all over the state and it is selling like
hotcake allover the city and neighbouring states Karnataka and Bangalore.

In Bangalore, according to the information from Bangalore friend
Stalin, all the cds have been sold within 2 hrs and now they are being
sold in black for Rs.250/-. Many who stood in a long queue were
disappointed not getting the cd.

Some came to Hosur by byke and purchased the cds.

AVM circle says that in their whole experience this is the first time
they are being asked second load of cds and cassettes.

In chennai many shops witnessed a thunderous sales within a few hours
the cds arrived and they were almost empty.

Asusual in Madurai, fans seems to have performed abhishekam, karpooram
arathi and others.

wait for more updates.

Courtesy: Sivajimovie.blogspot.com

Sivaji – The invasion of the American rappers

With the technical postmortem to find the source of leakage of audio clips of Sivaji going on in full swing, the producers – AVM, might not be as well be very disappointed with the developments.

The three songs that hit the internet on March 22nd is spreading like fire, with most of the browsers from Tamil Nadu, Andhra, Kerala and across the globe already getting a glimpse of the album. Fans are just not ready to stop raving the new style of music adopted by A.R.Rahman for the Superstar. If you are one of those who thought that the songs released were the best in the album, then we have some good news. “The best is just yet to come”, says an insider who is unwilling to reveal his identity. The highlight of the album is said to be ‘Daylight Dude’, touted to be the intro song. There are rumors floating around, that American rappers - Timbaland and Magoo have rendered their voice for this song.

The ‘Oru koodai Sunlight’ song that was one among the three songs that were released is also rumored to have the reggae singer – Shaggy. Though there are strong similarities in the voice, there is a certain section that denies the singer to be Shaggy. Rahman has been trying to bring in foreign talent into Indian cinema music for some time now. Maryam Toller from Canada was made to sing in Guru. Nelly Furtado, the Academy Award winning Canadian sensation was also supposed to croon in Rang De Basanti, but for some reason was not able to make it. However, A.R.Rahman and his team have not confirmed on either using Timbaland or Shaggy for any of the songs.

Another highlight song in the movie is the one that is done on Rajini’s voice and Sivamani’s drums. With speculation on the seven songs doing the rounds, the expectations for the movie’s album is already legendary. “I am not sure if Tamil audio history has seen such expectations before”, says manager at Music World, Chennai. The audio release was supposed to be preponed to March 26th, but was later withheld. Now it seems that the audio might release on April 2nd. But Sivaji-The Boss, being the very dynamic boss, the media is being made to eat the humble pie with twist and turns in every story. You aren’t sure till it really happens. The latest numbers that we were able to get officially from AVM is that 2.05 lakh CDs and 1.92 lakh cassettes have been pre-ordered so far.

The power of two Ra’s – Rajini & Rahman. Courtesy: Behindwoods.com

Pray For Me Brother - Review

A.R. Rahman has been known for his contribution to social causes. This is the reason why when he comes up with just a single, even that makes a lot of news since it deals with global issue of poverty that comes due to war and terror.
As a joint initiative of A.R. Rahman Foundation and Nokia Nseries, 'Pray For Me Brother' is a song that is dedicated to inspire people to eradicate poverty from our world. As per the credits, the song is special since it aims at giving hope to all people suffering from oppression, injustice and cruelty due to foreign forces or their own cruel leaders. And to those that are deprived of love and compassion and to fill the void which exists in each and everyone of us. And last but not the least to those that are searching for a reason to be kind.
With Blaaze coming up with additional lyrics, 'Pray For Me Brother' has Rahman coming with an all around show by writing, composing and rendering the track. Starting with the sound of a guitar, 'Pray For Me Brother' is a true Western track that is indeed one of its kinds and perhaps the first ever of this genre to be getting such a wide release.
While the music is simply excellent with just the right orchestra in place that doesn't disturb the flow of the song and let's it's essence being intact, the lyrics simply touch your heart while the rendition is top class that makes one long for a full blown English album by Rahman soon.
Also commendable is the fact that in spite of a message driving the entire number, 'Pray For Me Brother' doesn't turn preachy at all and would be picked up by people across all age groups who would love to play it on in a repeat mode due to it's soothing nature - something that holds so very true when the 'Instrumental version' of the song comes next.
The chorus sound of 'Pray For Me Brother' continues to play around in the background for this version which only adds on to the appeal. With Carrie Hernly, Oboe-Leigh and Wootard on Saxophone and Seetha Shivaswamy on Flute, the instrumental version too is hard to put down.
With the message of coming together of humankind and showing compassion, respect and love for each other, the song comes with a definite message and is an eye opener of sorts. A flawless composition that keeps you engrossed throughout it's 5 minutes duration, it is a must hear for those who love to hear quality music and crave for something international coming out from English shores.
Rating: ****

Courtesy: Indiaglitz.com

Rahman's new song for International Charts

Rahman is all set to rule the international music charts. With the release of his self-composed-and-sung English track titled 'Pray For Me Brother' produced by Universal Music, it could just be possible. However, notwithstanding the commercial reasons, Rahman has composed the

number for a noble cause to support the vision of Millennium Development Goals.The Millennium Development Goals (MDGs) was formed from the pact that was signed in the year 2000 at the significant UN Millennium Summit held at New York by Prime Ministers, Presidents, and other noted leaders from 189 countries. Rahman is an ardent supporter of MDGs that functions with an aim to eradicate poverty, hunger, and disease in the world by 2015. 'Pray For Me Brother' will be made available on the Millennium campaign's website www.millenniumcampaign.org, for free downloads according to Salil Shetty, director of the Millennium Campaign, New York. The song will also be used for the organization's global campaign to propagate its goals around the world including Europe and the US. Rahman mentioned that this song would be India's rendition to the world in achieving the cause of MDGs. "Hunger is the only common thing among people and it is only to survive that people beg. I hope that this song will inspire people to do something to eradicate those kind of social evils", the maestro added. Not many people knew that Rahman has been appointed by the UN as Brand Ambassador to eradicate tuberculosis. "It was while planning to compose a song for the same that I started to think about the much bigger universal issue - poverty and hunger. I decided to shift the focus and with the help of my friend Blaaze came up with the song", revealed Rahman. A 'stand up' event - to promote the cause of the Millenium Campaign and its Civil Society partners - was held in October, which registered a record attendance of 23 million people participating for the MDGs. Out of which 18 million joined from Asia and 9.7 from India. Time to make the world a better place. Courtesy: Behindwoods.com

Rahman receives Swaralaya award

Internationally famous music director A.R. Rahman was presented with the 7th Yesudas award by Swaralaya in Thiruvananthapuram on Monday.
The presentation ceremony which was held at the Nishagandhi open-air auditorium was attended by eminent cultural figures of Malayalam.
The award carries a cash prize of Rs. 1 Lakh, a citation and a statuette designed by famous sculptor, Kanayi Kunhiraman.
Yesudas, speaking on the occasion, appreciated the multiple talents of Rahman and acknowledged him as the best of his times. He added that A.R. Rahman's manifestation of talent is the result of his long struggle and unstinting hard work.
Rahman after receiving the award remembered his olden days when he worked under noted music director Arjunan Master at a salary of Rs. 50. Rahman opined that he is overwhelmed to received the award and said that Yesudas' is his most favorite voice.

Courtesy: IndiaGlitz.com

AR Rahman honoured

Few days back, we had informed you about the Kerala based Swaralaya’s decision to honour AR Rahman with Swaralaya-Kairali-Yesudas Award for 2007.

The award was given to the young prodigy yesterday, by eminent singer Yesudas, at a function held at Thiruvananthapuram.

Awards are not new to Rahman. He has always made us proud with his versatile genius and we at indiaglitz wish him all the best to continue doing us proud."

Courtesy: IndiaGlitz.com

AR Rahman releases an album

AR Rahman released a new age album of reputed violinists Ganesh and Kumaresh, at a function held recently.

Vikku Vinayakram, the ghatam maestro, received the first copy of the album.

This album is said to be an attempt at traversing borders, as it offers a rich blend of traditional and contemporary sounds in a way that is sure to leave listeners spellbound.

With globalization being today’s watchword, an attempt like this surely deserves appreciation and we at indiaglitz applaud the effort from the violin wizards at taking music to the next level."

Courtesy: IndiaGlitz.com

Rahman – "The intro songs that I wrote for Rajini"

The much awaited mega movie of the year Sivaji is being packaged with all necessary ingredients to enthrall the Rajini fans. Looks like the Rajini magic has done its effect on Rahman as well. Talking to news sources on his music in Sivaji, Rahman let out that he was always spellbound with Rajini's style.

There was no plan earlier for an introductory song in Sivaji. However it was later decided to have one and when Shankar approached me for the same I put the best of my efforts, Rahman answered for a question. "The song has come out really well. Shankar showed me a few rushes and there is now one more reason for me to be a Rajini fan", adds the Mozart. He further assured that Sivaji's music would outperform Baba. On talking about intro songs for the Superstar,"Rajini's introduction songs are always a challenge. I enjoyed doing Oruvan Oruvan Mudhalali in Muthu. That had a bit of philosophical touch to it. Singa nadai pottu from Padayappa was created based on folk tunes, whereas Vettri kodi kattu from the same movie had fast beats and trumpet just to bring out the speed with which the protagonist grows in his life. Working for Padayappa was definitely a great experience. Rajinikanth is very clear about the music that his fans expect from him movies". On few of the missed ones, "Mudhalvane song from Mudhalvan was written with Rajini in mind. For some reason Rajinikanth didn't act in the movie. One more introductory song was composed when Jaggubhai was announced. However, the project was shelved later and I used the song for S.J.Surya's Anbe Aruyire." Sivaji's shoot schedules are nearing completion and the movie is slated for a late April 2007 release. The audio is expected to be released by mid March.

Courtesy: Behindwoods.com

A.R.Rahman to be honored

AR Rahman, the young music director who has consistently been making India proud, has got many awards and accolades to his credit. Now the young prodigy will be honored with the Swaralaya-Kairali-Jesudas Award for 2007 by the Kerala based Swaralaya. This was announced by the jury which comprises The Minister for Cultural Affairs MA Baby, playback singers K.P. Udayabhanu and B. Arundhathi, lyricist Poovachal Khader and litterateur Rosemary. Swaralaya, an organization established with the aim of promoting music, honors music artists every year in recognition for their outstanding performance in Indian film music by giving them awards. Veteran music director K. Raghavan will also be honored during the occasion, for his contribution to Malayalam film music. Rahman's prize comprises cash of one lakh, a citation and a statue designed by Kanayi Kunhiraman. Courtesy: Indiaglitz.com

Yesudas to felicitate A R Rahman

February 01, 2007 Awards in any field are a motivating force to perform better and better. They inspire the person to scale starry heights. Though awards are not new to Isai Pual A R Rahman, when it has been received from a veteran like K J Yesudas, it is sure to be a noteworthy accomplishment.

Swaralaya Kairali is an organization that honors and confers Yesudas award every year for people belonging to music field. This year, A R Rahman is the proud recipient of this prestigious award. The grand award ceremony is slated to be held on the 12th of February this year at Trivandrum, Kerala. Rahman will receive this award from Yesudas. A spectacular music show featuring both north Indian and south Indian music has been intended.

Murugadoss, Aamir and Rahman eventually come together

After contemplations aplenty the fate of Hindi remake of Ghajini has been decided. The movie was never in any trouble but there were lengthy discussions, and debates before the rough look of the team that would actualize the movie was finalized. As it has turned out, the discussions came full circle.

The initial talk was that A.R.Murugadoss, the director of the Tamil original would be directing the movie with the mercurial Aamir Khan in the lead and Asin making her debut in Bollywood. The things took their first turn when Aamir Khan was rumored to be in discussion with Mani Ratnam for Lajjo, a replacement for Aamir was required; now that is not something that is easy to find. Then came the news that Priyanka Chopra was all set to replace Asin. Finally came the biggest twist. Director A.R.Murugadoss was reported to be on his way out of the project due to his very limited understanding of Hindi. A prominent director from Bollywood was touted to be the replacement. With names being thrown around, no one had any clue as to what the movie will look like. But as said earlier, things have come full circle. The discussions have ended where they had begun. After contemplating on all the possible names, the concerned people seem to have settled for A.R.Murugadoss as the director. With Aamir Khan’s dates being available there was no need to look anywhere else. So that is how the movie will look like; A.R.Murugadoss calling the shots and Aamir enacting Sanjay Ramaswamy. Other details including the female lead have not yet been decided. Let’s hope that even this one bounces back to the point where it all began and we get to see Asin play Kalpana once again. Shooting for the movie is all set to begin by the end of March. Of course, the music; that will be scored by none other than the wizard A.R.Rahman. Certainly something to watch out for.

Courtesy: Behindwoods.com

Rahman and Yuvan to sing together?

According to reliable sources, AR Rahman will sing along with Yuvan Shankar Raja in Chennai 600028. It will be the title song of the film. Grapevine has it that the producers and director of Chennai 600028 have approached AR Rahman to sing the title song. As such, though professional competitors, Yuvan Shankar Raja and AR Rahman are said to appreciate each others music. Since both are talented and unique in their own ways, it will sure be a treat for music lovers if this news indeed turns true!! Watch out for more news on Chennai-600028 everyday. Courtesy: Indiaglitz.com

“Lajjo, will take me into a totally different territory”

A.R.Rahman has been a busy man ever since he scored music for Mani Ratnam’s Roja in 1992. But 2006 has been special in many ways. The year started off with the chartbuster Rang de Basanti and is ending on a high with Guru. The difference in the styles and sounds that have been used in both the movies is testimony to Rahman’s class.

Come 2007 and this ace composer has much more to offer to all music lovers. He is currently working on Jodha Akbar, a period film being directed by Ashuthosh Gowarikar. The Gowariker-Rahman combination has proved to be quite a hit in their previous two films, Lagaan and Swades. Then comes Sivaji- The Boss; Rahman is excited about scoring music for the Superstar once again, this is also the reunion of the Sankar-Rahman duo after Boys. Rahman also has two albums ready for release. One is based on Hindustani classical music and has been performed by Ghulam Mustafa Khan and students. The other one is more like pop music. Then there is Lajjo, where Rahman teams up with Mani Ratnam again. Rahman is sure that this movie will take him to a different level; only he knows what is in store for our ears. Then there are the Oscar nominations of Water and Rang de Basanti to look forward to. It looks like 2007 is going to be bigger than 2006 for the musical wizard. Courtesy: Behindwoods.com

I am inspired by Jackson: Rahman

A R Rahman is known to be the artful dodger —- preferring to let his music do the talking, instead of him.

So, when he appeared recently to launch his new music video Pray For Me, Brother billed as the world's first mobile music video, he lived upto the part. He fielded media queries with a smile, though not letting on much about his future plans, instead preferring to say, "It'll be a surprise."

To his credit, the musical genius has continued to deliver one surprise after another this year —- be it his refreshingly different music score for Rang de Basanti or his signing up as an ambassador for an international satellite radio or his doing the music for the Broadway musical Lord of the Rings (LOTR). And now, the latest surprise is the music video —- which is a joint initiative with an international leader in mobile handsets, besides being the first offering of the recently set up A R Rahman Foundation.

Shot in black and white by film-maker Bharat Bala, who also did Rahman's earlier video Vande Matram, Pray for me, Brother says Rahman, is an anti-poverty anthem, that he had first conceived for the millennium goals for the UN.
The video also features hip-hop rap artist Blaze and has Rahman in his favourite black and white ensemble, with unbuttoned white shirt, fluttering in the wind a la Michael Jackson.

So, was he inspired by Jackson's Earth song, which is also on a similar theme? "Yes, I have been inspired by Michael Jackson, though probably not in character, he says, tongue-in-cheek, My voice and Michael Jackson's have the same range, since we both have a high pitch, so it probably creates an impression that it is similar."

So, what does he think of his chances at the Oscars, since three of his songs are in the reckoning? "They have been short-listed, not nominated," he gently points out. "I am happy, of course," he says smilingly. With all this on his plate, does he have time for anything else? "Yes, I am improving my Hindi vocabulary, although I still can't speak Hindi," he says with a laugh.

Courtesy: TimesofIndia.com

My voice and Michael Jackson's have the same range: AR Rahman

Next time you mistake AR Rahman singing in English for pop king Michael Jackson, don't be surprised. Even Rahman thinks they sound alike.

"My voice and Michael Jackson's have the same range, which is higher than the normal male voice, hence the impression," Rahman told reporters at the launch of his first ever English album Pray for Me, Brother.

Even the new video has shades of Jackson's hit Earth song.'

The album has been shot on the 'mobile cinemascope format' by Bharatbala of Vande Mataram fame, and will be available exclusively on Nokia 'N' series music phones before being released for television.

The song was originally composed as 'anti-poverty anthem' for UN's Millenium Development Goals. "We thought that the song deserved a great album and Nokia came forward to fund and also release on its phones," said Rahman, who has both composed the song and even given voice to it.

Vineet Taneja, Director, Multimedia, Nokia said, "By offering the song, which is the world's first ever music video on the vertical cinemascope format, we aim to deliver yet another experience to our users."

The funds generated from Rehman's new English album will go to Rahman's charity "The AR Rahman Foundation."

Courtesy: Hindustantimes.com

Rahman unveils English anti-poverty anthem

New Delhi, Dec 22 (IANS) Renowned music composer A.R. Rahman unveiled Friday his first ever English rendition 'Pray for me brother', the first music video to be shot on mobile cinemascope format, to create awareness about poverty in the world and urged people to support the cause. 'I feel that more than anything every person in the world needs some good wishes and love. I hope this song will create awareness and make a valuable difference in making a brighter tomorrow for the underprivileged children. Please support the good cause,' Rahman said at a press conference here. 'This is the first video to be shot on mobile cinemascope vertical format. This song was conceived as an anti-poverty anthem for the millennium goals for the UN. When I was doing it, I never realised it is going to go to this level. It took me two years to make it,' he said. 'Pray for me brother' is part of a joint venture between Nokia Nseries and the A.R. Rahman Foundation. 'I told my friends in London that I have a song for the UN and I want some sponsors. They introduced me to Nokia. Nokia Nseries supported it and got some of the best filmmakers in the world to make the video,' said Rahman. 'Pray for me brother' will have its worldwide launch early next year and the video will be exclusively available on Nokia Nseries music edition. Rahman will sing the anti-poverty song live at Nokia's New Year's Eve celebrations in Mumbai Dec 31 for the first time. Rahman's foundation also plans to help the needy by opening schools and hospitals. The composer had bought land near Chennai four years ago and is hoping to generate funds through his performances to fulfil his dream. 'It is too premature to talk about it. But this is a first step in that direction. The proceeds from the sales of the album will go to the foundation.' Like all of Rahman's creations, the new music video too brings out his creative best. The lyrics are meaningful and the video portrays poverty across the globe, touching the sentimental chords of viewers.

Courtesy: Andhracafe.com

Nokia Nseries, Rahman Team on Music Video

Noted Indian Music director, A.R Rahman has unveiled the first music video, shot in a mobile cinemascope format, exclusively for Nokia. The musician aims to create awareness about poverty in the world and wants to urge people to support the cause, through Nokia.

Rahman said, "This is the first video to be shot on mobile cinemascope vertical format. This song, 'Pray for me brother,' was conceived as an anti-poverty anthem for the millennium goals for the UN. When I was doing it, I never realized it is going to go to this level. It took me two years to make it."

'Pray for me brother' is part of a joint venture between Nokia Nseries and the A.R. Rahman Foundation. Rahman will sing the anti-poverty song live, at Nokia's New Year's Eve celebrations in Mumbai Dec. 31 for the first time.

Courtesy: Tech2.com

'Sivaji' to go abroad

Rajinikanth's Sivaji is nearing completion. Director Shankar, known to take his time to complete his movie, is busy giving final touches to the film.

Currently, the crew is shooting at Pune, where grand sets resembling a huge university have been erected. Rajinikanth, with his tonsured head, is shooting for the film.

On 2 January, 2007, the crew will fly to USA to shoot some important sequences. Sources close to Shankar say, the post-production works would begin after they return from USA this Pongal.

Special graphic experts from Hong Kong would be employed during the post-production works, they say.

Produced by AVM in their 60th year, plans are on to have a gala release of the audio cassette of Sivaji, set to tunes by A R Rahman.

Rajinikanth had personally called on Rahman and congratulated him for coming up with catchy songs in Sivaji.

Courtesy: Sivaji Blog

Rahman adds two more

	Two weeks after the audio of Guru released to quite an enthusiastic response all over the country, Mani Ratnam asked Rahman to add two more tracks to the audio. Rahman responded very quickly to the request of the director who has always got the best out of him. The two tracks were added promptly and the result of the work done was evident from the sales.
Guru jumped to the top spot on the charts. It looks set to stay there for a while, with Salaam-e-ishq still down in sixth place and no major music release in the offing. There are people who feel that the best is still to come. The audio sales may just boom after the movie releases in January 2007. Courtesy: Behindwoods.com

A.R.Rahman's reactions to the Oscar nominations.

	The 79th Academy Awards or the Oscar Awards are getting underway. Nominations for original song category for full length feature films are announced. There are fifty six songs from films belonging to different languages and country. These songs have been considered for the prestigious award. Out of these, our own Rahman's three songs are featuring in the list.
They are 'Khalbali' and 'Luka Chuppi' from "Rang de Basanti" and 'Chan Chan' from "Water". When contacted to inquire about the news, A.R.Rahman expressed happiness over the nomination and said that it was the collective effort and hard work of RDB team that is paying off rich dividends. "I also thank my fans for all their wishes", added the maestro. He has his fingers crossed on the outcome. It is indeed a great honor for every Indian and more so every Tamilian that Rahman has elevated Indian music to world arena. Some of the other songs include 'Coming back to you' from "Deja Vu", 'You know my name" from "Casino Royale" the James Bond film and 'The song of the heart" from "Happy Feet". Wishing Rahman all the best!!!

Courtesy: Behindwoods.com

Rahman's Oscar khalbali!

With three of his songs making it to the Oscars'shortlist, AR Rahman will turn a year older on a good note.

Although the Oscars eluded Lagaan's music director in 2001, this year AR Rahman has enough and more reasons to celebrate. To begin with, three of his songs have made it to the Oscars short list of 56 songs.

Rahman says, "They've short-listed 56 songs, of which three, 'Khalbali'and 'Lukka chuppi'from Rang De Basanti and 'Chan-chan'from Water, are mine. I was expecting a list of 500-600 songs, I'm quite surprised. I think the way they look at our films and music abroad has completely changed now. There's a lot more respect for what we do. They don't think of us as dancing around trees anymore."

Rahman chose the three songs for the Oscars on his own. He says, "I chose 'Luka chuppi'because of Lataji. She's the pride of the nation.

...I don't know what the outcome would be. I think it's a big honour to be there. But to get to the last 56 songs is quite an honour. My agent in LA was sweet enough to take care of all the nitty-gritties."

Come January 6, and the Mozart of Madras, Rahman will turn 41.

Rahman agrees that he's entering the most important decade of his life. "So far, I've just been busy living life. From my childhood I was surrounded by grown-ups, I never got a chance to enjoy being a child.

It took me a while to realise how young I was. By the time I realised that I was missing out on youthful activities I was no longer young. Now I'm re-living my childhood with three children. If I'm able to give them everything that I couldn't afford, they too are giving me back something vital,"he says.

The composer shares his birthday with his son. "My son is going to turn four on the same day. Yeah, he and I share the same birthday. ...I don't know how that happened,"he smiles.

And what sense has he made of the 40 years of his life? "My life has always been a journey. When I was in my 20s I went through the most turbulent time of my life.

Now I spend as much time as possible with my children Khatija (11), Rahima (8) and Amin (4). My studio in Chennai is bang opposite my house, so they spend a lot of time with me. All they've to do is cross the road and they're with me,"he says.

Courtesy: TimesOfIndia.com

Three songs of Rahman nominated for Oscar

Expectations are riding high on our very own A R Rahman now. The reason? Well, three songs of the prodigy have been nominated for the Oscar! There is a separate category for the ‘Best Original Song’ in the Oscar award categories every year. This year, which happens to be the 79th year of the award function, the Academy released a list of 56 songs that will compete with each other, of which three songs are Rahman’s. The songs include two songs from Rang De Basanti namely Khalbali and Luka Chuppi and one song from Water namely, Chan Chan. Here’s hoping and wishing that Rahman, an inevitable part of India’s pride, wins the award and elevates India’s position in the international film arena. All the best Rahman! Courtesy: Indiaglitz.com

Mani & Rahman in action – Watch videos

Guru is said to be based on the life of one of India’s biggest visionaries, Dhirubhai Ambani. Abhishek bachan plays the main protagonist, Gurukant Desai (based on Ambani) and Aishwarya Rai plays his wife.

Watch the video

Courtesy: Ibnlive.com

Rahman’s wisdom on music rights

Dec 12, 2006

Looks like Rahman is on a campaign to emphasize that music rights be granted to the musicians themselves. If you might remember, the ace musician walked out of Shahrukh’s home production when the producers failed to arrive at an agreement regarding the music rights of the movie. Rahman wanted the rights of the songs and scores of the movie.





Recently, Rahman has agreed to score music for the animated movie ‘Hara’, which is produced by Soundarya – Rajini’s younger daughter. I have obtained rights of my music for Hara. It is indispensable that every music director gets hold of the music rights, stated Rahman. I have been emphasizing this for quite sometime, he added.

Rahman is not happy that Bollywoodies have shown a deaf ear to his royalty request. Not many in the Bollywood understand this concept, reiterated Rahman. I consider these rights over everything I gain in my life, declared Rahman.


Courtesy: Behindwoods.com

Rahman completes recording for Sivaji

A R Rahman is a relieved man now, for he has completed recording all the six songs for Rajinikanth’s magnum opus Sivaji. Directed by Shankar and produced by AVM, the movie has generated lots of hype and curiosity among millions of Rajinikanth fans. A thrilled Rahman says that the music of Sivaji would live up to all expectations and would be different from his earlier works. Rahman, who stormed into the Indian film music with his debut film Roja, bagging the national award, has a word of advice for the up and coming music directors. He says, “I think it is important for a composer to have his own identity,” he said. Looking back at his career, Rahman says, “People remembered me more for my rhythm-driven songs, than my melodious numbers. But things have changed since Lagaan.” On the criticisms against him that he takes a long time to complete composing, Rahman says, “I take all criticism objectively and believe in elevating the tastes of the listener.”

Courtesy: Indiaglitz.com

When Mani Ratnam blackmailed Rahman

In the first part of an exclusive interview with A R Rahman, the maestro spoke about how Shah Rukh Khan was made a 'bakra,' and how he made Bappi Lahiri sing in Guru.

In the second and last part, Rahman talks more about Mani Ratnam's Guru, and his other projects.

On dedicating the song Tere Bina to Nusrat Fateh Ali Khan

When I began working on the soundtrack of Guru, I happened to listen to one of Nusrat saab's softest songs called Sajna Tera Bina. It is simple and heart stirring. There is great beauty in it. I was inspired by it and started composing Tere Bina about eight months ago.

Originally, the song was about 25 minutes long. You know I often write six or seven mukhdas and then there are many variations. I also recorded the song Ay Hairathe for the film but Mani sir felt it was too heavy to be at the start of the film. He thought of using Tere Bina.

Suddenly, the song got a life of its own. But there was one hurdle (chuckles). I had recorded it in the voice of Qadir Khan and he did an excellent job. But Mani sir wanted me to sing it. I said, Qadir will get hurt, and I did not want to hurt him. But there was no way of getting out. It became something like: Either you sing it or it won't be there.

Read more

Courtesy: Rediff.com

Exclusive! A R Rahman on SRK, Guru and music

A R Rahman is a man of few words. But once he warms up, he can keep talking.

When we asked for an interview, he emailed just one line: Sure. I will call you. He did not specify a time or day. Given his passion for working in the night, I knew that meant I should expect a phone call from Chennai any time during the day hours in New York.

And as promised he called just two days after confirming that the interview will happen.

It was about noon in New York. For nearly an hour, he talked about a lot of things including how Shah Rukh Khan had become a 'bakra' and how he was 'blackmailed' by 'Mani sir' to sing the Tere Bina number in Guru.

Here's the first part of an extensive interview.

Read more

Courtesy: Rediff.com

Ashutosh & Rahman face the legal wrath.

Dec 02, 2006

Ashutosh Gowarikar & A.R.Rahman, the team that gave us the Oscar nominated, Lagaan and the critically acclaimed Swades is now working on a magnum opus, Akbar-Jodha with Hrithik Roshan and Aishwarya Rai. One of the most awaited movies in Bollywood takes a glimpse into the life and romance of the Emperor Abkar. Hrithik plays Akbar and Aishwarya plays Jodha.

Read more

Courtesy: Behindwoods.com

Vijay sings for Rahaman

Ilaya Thalapathy Vijay has many a bright feathers in his cap. All along he had entertained his fans through his lively acting and dancing. Singing is also one of his passions which he is not following stringently these days. In fact singing runs in his blood. S N Surendar, his maternal uncle is a trained vocalist and his voice rendered a new dimension for actor Mohan in his hay days.


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Courtesy: Behindwoods.com

"My voice spooks me" – Rahman

Nov 29, 2006

A.R. Rahman is back to top the national charts with his Guru joining hands with Maniratnam. Rahman – whose magic always seems to work with mentor Maniratnam – is happy at the general outcome the album is generating among the public and fans. However, he is not all that happy to sing for Abhishek. Nothing personal though, he states that he feels his voice is not in sync with Abhi baby.

Read more

Courtesy: Behindwoods.com

Rahman & Mani,the magic continues - Guru Review

When a legendary team decides to make a movie on one of the biggest visionaries of India, you expect nothing short of a thunderbolt. You keep itching to collect as much information about the movie as possible; you browse through the World Wide Web to get a preview of the music. You keep playing the trailers over and over again; you read all the interviews associated with the movie and keep counting the days left for the release. If you are one such fan, let me warn you, you are just about to be hit by one hell of an album. If you are not such a fan, no worries, you will still be swept by the genius of Rahman. The Mozart transforms himself to his initial golden period, where one doesn’t have to keep listening to the songs repeatedly to get impressed. He is straight at you with vengeance. Read more Courtesy : Behindwoods.com

Rajini croons for Sivaji

Rajinikanth's Sivaji will feature a song sung by the Super Star himself. According to reports, music composer A R Rehman has convinced Rajinikanth to sing the song in his own voice. Rajinikanth had last sung Adikuthu Kuliru in Mannan set to tunes by Ilayaraja. Sivaji, one of the costliest films from AVM, is directed by Shankar and features Shreya opposite Rajinikanth. Buzz is that Rajinikanth too has expressed his readiness to sing the number.

Courtesy : IndiaGlitz

Rahman chills out!

Last week A.R.Rahman decided to chill out at the Taj Fishermen Cove on East Coast Road on the Chennai-Mahabalipuram route.

For Rahman it was work cum relaxation as he was composing two songs for his forthcoming film Kalaipuli S.Thanu’s Chakkarakatti. It is a youth film and the launch pad of K.Bhagyaraj’s son Shantanu. Rahman took his own time to compose the numbers as wanted to give it a peppy young feel. In fact lyricist Pa Vijay was asked to re-write the lyrics to make the song better. Meanwhile the buzz is that the introductory song for Rajnikanth in Sivaji is said to be rocking. The superstar is said to have called up Rahman and congratulated him.

Rahman works best with people whom he is comfortable with and there is no one better than Shankar! The Shankar-Rahman combo is one of the biggest success stories in Tamil film audio history.

Courtesy: Sivaji blog

Rahman’s campaign heads out to Guinness

The recent social campaign titled ‘Stand Up Against Poverty, Stand Up For Millennium Development Goals’ by Prasoon Joshi could qualify for an entry into the Guinness book of records.
The campaign, which featured Sachin Tendulkar, Aamir Khan, Rahul Dravid and A R Rahman had participation of over 9.7 million Indian citizens which made it the largest figure in the world from a single nation.

Read more

Courtesy: Behindwoods.com

AR Rahman speaks about Sivaji again

Courtesy: Sivajimovie Blog

Rahman’s account on the Shahrukh chapter

We have carried reports about Rahman walking out of Shahrukh’s home production Om Shanthi Om recently. Rumors were abound that Rahman had a tussle with Farah Khan, the director and Shahrukh which eventually led Rahman to quit the project. On that chapter, to avoid misconceptions Rahman has released a press statement explaining his stand on the issue.

Read

Courtesy: Behindwoods.com

Sivaji songs unveiled

Eager to hear some news about Superstar's Sivaji songs? Don't you worry folks. We have got news. Credible sources revealed that Sivaji has 7 songs to its credit. All being pep songs with energetic beats from Rahman, they are sure to propel the movie's music to the top in the charts.Though the news is that there are 7 songs in the movie, only 5 will be featured in the audios and the rest will be short duration songs.
However, while we present you with the first hand scoop as delivered to us, it can only be found when the audio is released as to how many numbers Sivaji has to its credit.

Read

Courtesy: Behindwoods.com

Shahrukh Khan going against Rahman?

Rahman walked out of Shahrukh’s home production Om Shanti Om recently. The movie is directed by Farah Khan for Red Chillies Entertainment, which is Shahruk’s home banner. Subsequent to Rahman’s exit, the duo Vishal-Shekhar is taking his seat for Om Shanti Om. Rumors are aloft from various perspectives following this.
Some say that Shahrukh is unhappy with the tunes Rahman composed for the movie and it is also being speculated that Farah Khan did not want to pay Rahman’s exorbitant fee. Rahman has a different perspective of this story though.

Read
Courtesy: Behindwoods.com

A box office analysis of A.R.Rahman’s movies

There are no second thoughts when it comes to Rahman’s talent and his endowment to the world of Indian cinema with his music. He definitely made every Indian proud by hailing from down south and going all the way to Hollywood. Indian musical talent was never a matter of so much debate before Rahman’s existence. But the box office success of his movies has hit an alarming decline. There was a time when movies with his music were assured of a good run even before the movie was released. That situation has changed. Here is an investigative report on the reasons.

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Courtesy: Behindwoods.com